<\/p>\n\n\n\n
Ob\u010das je st\u00e1le b\u011b\u017en\u00e1 p\u0159edstava, \u017ee kritikov\u00e9 \u010di kriti\u010dky jsou schopn\u00e9 vyplivnout jak\u00fdkoliv nadm\u00edru kreativn\u00ed a promy\u0161len\u00fd text b\u011bhem p\u00e1r hodin, n\u011bkde mezi ob\u011bdem a odpoledn\u00ed k\u00e1vou, dv\u011b hodiny u po\u010d\u00edta\u010de a brilantn\u00ed vhled do sou\u010dasn\u00e9 um\u011bleck\u00e9 v\u00fdstavy je na sv\u011bt\u011b! Na psan\u00ed toho p\u0159eci nen\u00ed nutn\u00e9 m\u00edt moc, sta\u010d\u00ed jen po\u010d\u00edta\u010d, zvl\u00e1dnete to i v kav\u00e1rn\u011b, \u017e\u00e1dnou kancel\u00e1\u0159 nepot\u0159ebujete, po zbytek dne se pak m\u016f\u017eete v\u011bnovat jin\u00fdm bohulib\u00fdm \u010dinnostem, respektive sv\u00fdm dal\u0161\u00edm t\u0159em prac\u00edm, abyste se u\u017eivili.<\/p>\n\n\n\n
Ano, kdy\u017e se to tak vezme, ka\u017ed\u00fd je schopn\u00fd N\u011aCO napsat za dv\u011b hodiny, ale d\u00edky sv\u00e9 sedmilet\u00e9 zku\u0161enosti editorky v Artalku<\/em> v\u00edm, \u017ee za publikovatelnost\u00ed takov\u00e9ho textu se pak skr\u00fdv\u00e1 n\u011bkolikahodinov\u00e1 editorsk\u00e1 pr\u00e1ce. Je to pr\u00e1ce neviditeln\u00e1, ale naprosto nezbytn\u00e1. V\u011bt\u0161ina dobr\u00fdch recenz\u00ed a kritik, kter\u00e9 jste kdy \u010detli, znamen\u00e1, \u017ee se jim n\u011bkdo pe\u010dliv\u011b v\u011bnoval. Mohly b\u00fdt n\u011bkolikr\u00e1t vr\u00e1ceny, pro\u0161ly diskuz\u00ed, kr\u00e1cen\u00edm, \u00fapravami, okomentov\u00e1n\u00edm. Existuj\u00ed samoz\u0159ejm\u011b i texty, kter\u00e9 skoro nepot\u0159ebuj\u00ed editorsk\u00fd z\u00e1sah. Jsou stylisticky i gramaticky perfektn\u00ed, okam\u017eit\u011b p\u0159ipraven\u00e9 k publikov\u00e1n\u00ed. Ale to je tak jeden text z dvaceti. Mo\u017en\u00e1 ze t\u0159iceti.<\/p>\n\n\n\n Po zeditov\u00e1n\u00ed putuje text na korektury, ano, ani editorka nevychyt\u00e1 v\u0161echno, ob\u010das se n\u011bjak\u00e9 hrubce poda\u0159\u00ed proklouznout. A co v\u0161echny ty \u0161patn\u011b nasm\u011brovan\u00e9 uvozovky, a dlouh\u00e9 a kr\u00e1tk\u00e9 poml\u010dky, \u010d\u00e1rky, kde nemaj\u00ed b\u00fdt, a \u010d\u00e1rky, kter\u00e9 chyb\u00ed tam, kde maj\u00ed b\u00fdt! Korekto\u0159i a korektorky jsou dal\u0161\u00ed naprosto z\u00e1sadn\u00ed neviditelnou sou\u010d\u00e1st\u00ed cel\u00e9ho procesu. D\u00edky jejich pr\u00e1ci se m\u016f\u017eeme soust\u0159edit na obsah dan\u00e9ho textu, plynul\u00e9 \u010dten\u00ed se nezadrhne a v\u011bty pak ut\u00edkaj\u00ed jako st\u00e1do ove\u010dek.<\/p>\n\n\n\n Ob\u010das jsme v Artalku<\/em> m\u00edvali i domluvenou spolupr\u00e1ci s dal\u0161\u00edmi zahrani\u010dn\u00edmi \u010dasopisy, n\u011bkolik let jsme si vym\u011b\u0148ovali texty s online magaz\u00edny o um\u011bn\u00ed ve v\u00fdchodn\u00ed Evrop\u011b. Proto byl ob\u010das sou\u010d\u00e1st\u00ed cel\u00e9ho procesu i p\u0159eklad. A Deepl je sice \u0161ikovn\u00e1 aplikace, ale nepostihne v\u0161echny slo\u017eit\u011bj\u0161\u00ed obraty a nem\u00e1 takovou citlivost na jazyk jako p\u0159ekladatelka. Na p\u0159eklady z \u010de\u0161tiny do jin\u00e9ho jazyka jsme proto v\u017edy n\u011bkoho oslovovali \u2013 a\u0165 u\u017e to byla angli\u010dtina, n\u011bm\u010dina, ma\u010far\u0161tina nebo pol\u0161tina.<\/p>\n\n\n\n To u\u017e jsou \u010dty\u0159i r\u016fzn\u00e9 profesionalizovan\u00e9 zast\u00e1vky, kter\u00fdmi text putuje \u2013 od vzniku, p\u0159es editaci, ke korektu\u0159e a p\u0159\u00edpadn\u011b pak na p\u0159eklad. Za ka\u017edou touto zast\u00e1vkou stoj\u00ed jeden \u010dlov\u011bk, kter\u00fd m\u00e1 v\u011bt\u0161inou n\u011bkolik dal\u0161\u00edch prac\u00ed, aby se mohl u\u017eivit, n\u011bkdy jsou tyto pr\u00e1ce zcela mimo obor. Psan\u00ed a p\u00e9\u010de o um\u011blecko-kritick\u00e9 texty je toti\u017e nesm\u00edrn\u011b nevd\u011b\u010dn\u00e1 \u010dinnost, pokud nejste v n\u011bjak\u00e9 redakci nast\u00e1lo zam\u011bstn\u00e1ni za d\u016fstojnou mzdu. Je to pr\u00e1ce \u0161patn\u011b placen\u00e1, nahodil\u00e1, nevd\u011b\u010dn\u00e1, v\u011bt\u0161ina spole\u010dnosti o jej\u00edm smyslu pochybuje, nav\u00edc ostr\u00e1 a p\u0159esn\u011b m\u00ed\u0159en\u00e1 kritika \u010dasto vede k tomu, \u017ee v\u00e1s nakonec hodn\u011b lid\u00ed nem\u00e1 r\u00e1do \u2013 kur\u00e1to\u0159i a kur\u00e1torky, um\u011blci a um\u011blkyn\u011b, anebo t\u0159eba pra\u017esk\u00fd magistr\u00e1t (ten si hodn\u011b v\u011bc\u00ed bere osobn\u011b).<\/p>\n\n\n\n V\u00fdsledek takov\u00e9ho za\u010darovan\u00e9ho kruhu, kter\u00fd je s rostouc\u00edmi cenami potravin a energi\u00ed \u010d\u00edm d\u00e1l za\u010darovan\u011bj\u0161\u00ed, je pak to, \u017ee ve specializovan\u00fdch \u010dasopisech nevych\u00e1zej\u00ed moc dobr\u00e9 nebo zaj\u00edmav\u00e9 texty. Pak za\u010dnu i j\u00e1 o smyslu psan\u00ed um\u011bleck\u00fdch kritik pochybovat, a\u010dkoliv jsem se touto profes\u00ed sedm let \u017eivila. Na textech je toti\u017e vid\u011bt, kdy\u017e jsou napsan\u00e9 narychlo, bez hlub\u0161\u00edho promy\u0161len\u00ed a editorsk\u00e9 pr\u00e1ce. Jen\u017ee v\u00fdsledkem t\u00e9to situace by nem\u011blo b\u00fdt b\u011bdov\u00e1n\u00ed nad t\u00edm, zda a jakou m\u00e1 um\u011bleck\u00e1 kritika budoucnost. Nem\u00e1 toti\u017e \u017e\u00e1dnou, pokud kritiky a recenze nebude m\u00edt kdo ps\u00e1t.<\/p>\n\n\n\n Proto je t\u0159eba, aby se um\u011ble\u010dt\u00ed kritici a kriti\u010dky propojovali s dal\u0161\u00edmi profesemi v kultu\u0159e a spole\u010dn\u011b s nimi nevzd\u00e1vali boj za lep\u0161\u00ed pracovn\u00ed podm\u00ednky. Ministerstvo kultury, pota\u017emo \u010desk\u00fd st\u00e1t, toti\u017e v sou\u010dasnosti neud\u011bl\u00e1 samo od sebe nic. V rezortu kultury nen\u00ed v\u016fle k tomu, aby byla p\u0159ijata jak\u00e1koliv soci\u00e1ln\u00ed opat\u0159en\u00ed \u2013 a\u0165 u\u017e by se t\u00fdkala podpory pracuj\u00edc\u00edch v re\u017eimu OSV\u010c, kdy\u017e jim vypadnou p\u0159\u00edjmy, nebo sn\u00ed\u017een\u00ed odvod\u016f na soci\u00e1ln\u00edm a zdravotn\u00edm z d\u016fvodu n\u00edzk\u00fdch honor\u00e1\u0159\u016f. Status um\u011blce a um\u011blkyn\u011b (anebo sp\u00ed\u0161e novela z\u00e1kona \u010d. 203\/2006 Sb., o n\u011bkter\u00fdch druz\u00edch podpory kultury) se v kone\u010dn\u00e9m d\u016fsledku omez\u00ed jen na vznik registru, kter\u00fd za\u010dne pravd\u011bpodobn\u011b platit od \u010dervence tohoto roku, a a\u010dkoliv by m\u011blo doj\u00edt k nav\u00fd\u0161en\u00ed \u010d\u00e1stky na stipendia (na 130 mil. K\u010d), m\u00e1lokdo z v\u00fdtvarn\u00e9ho um\u011bn\u00ed (p\u0159ekladatelstv\u00ed nebo literatury) na n\u011b dos\u00e1hne. \u017dadatel \u010di \u017eadatelka o n\u011b toti\u017e nesm\u00ed b\u00fdt zam\u011bstn\u00e1na na v\u00edce ne\u017e polovi\u010dn\u00ed \u00favazek a p\u0159\u00edjmy z um\u011bleck\u00e9 \u010dinnosti mus\u00ed tvo\u0159it alespo\u0148 50 procent celkov\u00fdch p\u0159\u00edjm\u016f za posledn\u00ed dva roky. Posledn\u00ed podm\u00ednka k z\u00edsk\u00e1n\u00ed stipendi\u00ed je sp\u00ed\u0161e v\u00fdsm\u011bch: Celkov\u00fd pr\u016fm\u011brn\u00fd p\u0159\u00edjem \u017eadatele \u010di \u017eadatelky nesm\u00ed b\u00fdt vy\u0161\u0161\u00ed ne\u017e pr\u016fm\u011brn\u00e1 mzda v n\u00e1rodn\u00edm hospod\u00e1\u0159stv\u00ed (na konci roku 2024 to bylo 45 412 K\u010d). To ale samoz\u0159ejm\u011b nikdo nem\u00e1 \u2013 podle \u010cesk\u00e9ho statistick\u00e9ho \u00fa\u0159adu byla v roce 2022 pr\u016fm\u011brn\u00e1 hrub\u00e1 m\u011bs\u00ed\u010dn\u00ed mzda v tradi\u010dn\u00ed kultu\u0159e 30 800 K\u010d.<\/p>\n\n\n\n Propojen\u00ed pracuj\u00edc\u00edch v kultu\u0159e je nav\u00edc v sou\u010dasnosti \u010d\u00edm d\u00e1l d\u016fle\u017eit\u011bj\u0161\u00ed i kv\u016fli tomu, \u017ee kulturn\u00ed sc\u00e9na je neuv\u011b\u0159iteln\u011b k\u0159ehk\u00fd sektor, kter\u00fd slou\u017e\u00ed jako ideologick\u00e1 n\u00e1razn\u00edkov\u00e1 z\u00f3na pro politickou garnituru libuj\u00edc\u00ed si v autorit\u00e1\u0159stv\u00ed a antidemokratick\u00fdch tendenc\u00edch. V\u0161echny v\u00fdtvarn\u00e9 \u010dasopisy dnes do zna\u010dn\u00e9 m\u00edry funguj\u00ed d\u00edky grant\u016fm z MK nebo Prahy \u010di Brna. A to je extr\u00e9mn\u011b nejist\u00e1 situace, kter\u00e1 se m\u016f\u017ee zm\u011bnit doslove ze dne na den, jak ukazuje slovensk\u00e9 ministerstvo kultury a rozklad Fondu na podporu umenia. I proto je t\u0159eba posilovat vztahy a organizovanost pracuj\u00edc\u00edch v kultu\u0159e v \u010cesku, jinak instituce, v nich\u017e pracuj\u00ed, \u0161mahem zmiz\u00ed. A s nimi i um\u011bleck\u00e1 kritika.<\/p>\n\n\n\n <\/p>\n\n\n\n Anna Reme\u0161ov\u00e1 pracovala jako \u0161\u00e9fredaktorka online magaz\u00ednu o um\u011bn\u00ed\u00a0Artalk.cz<\/a>. Dlouhodob\u011b spolupracuje s \u00fasteckou Galeri\u00ed Hrani\u010d\u00e1\u0159. V sou\u010dasn\u00e9 dob\u011b je doktorandkou na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, kde se zab\u00fdv\u00e1 zapojen\u00edm \u010desk\u00fdch zem\u00ed do koloni\u00e1ln\u00edch vztah\u016f na p\u0159elomu 19. a 20. stolet\u00ed.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Ob\u010das je st\u00e1le b\u011b\u017en\u00e1 p\u0159edstava, \u017ee kritikov\u00e9 \u010di kriti\u010dky jsou schopn\u00e9 vyplivnout jak\u00fdkoliv nadm\u00edru kreativn\u00ed a promy\u0161len\u00fd text b\u011bhem p\u00e1r hodin, n\u011bkde mezi ob\u011bdem a odpoledn\u00ed k\u00e1vou, dv\u011b hodiny u po\u010d\u00edta\u010de a brilantn\u00ed vhled do sou\u010dasn\u00e9 um\u011bleck\u00e9 v\u00fdstavy je na sv\u011bt\u011b! Na psan\u00ed toho p\u0159eci nen\u00ed nutn\u00e9 m\u00edt moc, sta\u010d\u00ed jen po\u010d\u00edta\u010d, zvl\u00e1dnete to i v kav\u00e1rn\u011b, \u017e\u00e1dnou kancel\u00e1\u0159 nepot\u0159ebujete, po zbytek dne se pak m\u016f\u017eete v\u011bnovat jin\u00fdm bohulib\u00fdm \u010dinnostem, respektive sv\u00fdm dal\u0161\u00edm t\u0159em prac\u00edm, abyste se u\u017eivili. Ano, kdy\u017e se to tak vezme, ka\u017ed\u00fd je schopn\u00fd N\u011aCO napsat za dv\u011b hodiny, ale d\u00edky sv\u00e9 sedmilet\u00e9 zku\u0161enosti editorky v Artalku v\u00edm, \u017ee za \u2192<\/a><\/p>\n","protected":false},"author":5,"featured_media":498,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts\/621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=621"}],"version-history":[{"count":2,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts\/621\/revisions"}],"predecessor-version":[{"id":628,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts\/621\/revisions\/628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/media\/498"}],"wp:attachment":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}