{"id":609,"date":"2025-10-07T16:48:36","date_gmt":"2025-10-07T16:48:36","guid":{"rendered":"https:\/\/www.cenavj.cz\/?p=609"},"modified":"2025-12-19T08:48:23","modified_gmt":"2025-12-19T08:48:23","slug":"silvie-seborova-pseudodenik-ze-zacatku-artalku","status":"publish","type":"post","link":"https:\/\/www.cenavj.cz\/?p=609","title":{"rendered":"Silvie \u0160eborov\u00e1: Pseudoden\u00edk ze za\u010d\u00e1tk\u016f Artalku"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><strong>\u010cerven 2008<\/strong><\/p>\n\n\n\n<p>Po n\u011bkolika odkladech, zp\u016fsoben\u00fdch studiem v&nbsp;zahrani\u010d\u00ed a nutnost\u00ed se nechat zam\u011bstnat, kone\u010dn\u011b odevzd\u00e1v\u00e1m diplomovou magisterskou pr\u00e1ci a skl\u00e1d\u00e1m z\u00e1v\u011bre\u010dn\u00e9 zkou\u0161ky z&nbsp;d\u011bjin um\u011bn\u00ed. Hur\u00e1, dosp\u011bl\u00fd \u017eivot m\u016f\u017ee za\u010d\u00edt.<\/p>\n\n\n\n<p><strong>Srpen 2008<\/strong><\/p>\n\n\n\n<p>Chod\u00edm do pr\u00e1ce, ale najednou nev\u00edm, co s&nbsp;\u010dasem po odpoledn\u00edch a ve\u010derech, kter\u00fd jsem p\u0159edchoz\u00ed m\u011bs\u00edce vypl\u0148ovala hore\u010dnat\u00fdm psan\u00edm diplomky. Cht\u011blo by to n\u011bco vymyslet.<\/p>\n\n\n\n<p><strong>Z\u00e1\u0159\u00ed 2008<\/strong><\/p>\n\n\n\n<p>P\u0159ich\u00e1z\u00edm za Petrou Hlav\u00e1\u010dkovu s&nbsp;n\u00e1padem, \u017ee bych cht\u011bla m\u00edt blog o um\u011bn\u00ed. Budeme tam ps\u00e1t svoje \u010dl\u00e1nky, oslov\u00edme p\u00e1r b\u00fdval\u00fdch spolu\u017e\u00e1k\u016f z&nbsp;d\u011bjin um\u011bn\u00ed, a t\u0159eba si n\u00e1s n\u011bkdo \u010dasem v\u0161imne ve velk\u00fdch m\u00e9di\u00edch, t\u0159eba i v&nbsp;novin\u00e1ch.<\/p>\n\n\n\n<p>O t\u00fdden pozd\u011bji vol\u00e1 Petra, \u017ee Honza Sk\u0159iv\u00e1nek u\u017e takov\u00fd blog m\u00e1, tedy vlastn\u011b m\u011bl. Co se stal \u0161\u00e9fredaktorem Art+Antiques, u\u017e na n\u011bj nem\u00e1 \u010das. D\u0159\u00edv tam d\u00e1val p\u0159\u00edsp\u011bvky o tom, co kde vy\u0161lo v&nbsp;r\u016fzn\u00fdch m\u00e9di\u00edch o um\u011bn\u00ed. Za s\u00f3lokapra pova\u017euje p\u0159\u00edsp\u011bvek o recenzi Lenky Lindaurov\u00e9 na v\u00fdstavu finalist\u016f Ceny Jind\u0159icha Chalupeck\u00e9ho v&nbsp;sobotn\u00edm vyd\u00e1n\u00ed Mlad\u00e9 fronty Dnes 11. listopadu 2006. Recenze je p\u011bkn\u011b napsan\u00e1, ale mluv\u00ed se v n\u00ed o zcela jin\u00e9m ro\u010dn\u00edku Chalupeck\u00e9ho, ne\u017e byl ten v&nbsp;roce 2006. Autorka pravd\u011bpodobn\u011b p\u0159i pos\u00edl\u00e1n\u00ed textu do redakce p\u0159ipojila \u0161patnou p\u0159\u00edlohu, co\u017e se m\u016f\u017ee st\u00e1t, jen\u017ee v&nbsp;redakci si toho nikdo nev\u0161iml. Finalisti jako finalisti, Chalupeck\u00fd jako Chalupeck\u00fd. \u201eV\u00fdtvarn\u00e9 um\u011bn\u00ed je nejsp\u00ed\u0161 pro vedouc\u00edho kulturn\u00ed rubriky Jana K\u00e1brta tak okrajov\u00fdm t\u00e9matem, \u017ee \u010dl\u00e1nky o n\u011bm redakto\u0159i v\u016fbec ne\u010dtou, nebo zkr\u00e1tka nepoznaj\u00ed, \u017ee je n\u011bco \u0161patn\u011b,\u201c p\u00ed\u0161e Sk\u0159iv\u00e1nek na blogu.<\/p>\n\n\n\n<p>\u201eTo je dobr\u00fd\u201c, sm\u011bju se a odpov\u00edd\u00e1m Pet\u0159e, \u201eto mo\u017en\u00e1 vlastn\u011b ani do t\u011bch velk\u00fdch m\u00e9di\u00ed nechceme.\u201c Pak se zamysl\u00edm: \u201eA Sk\u0159iv\u00e1nek by do toho s&nbsp;n\u00e1mi \u0161el?\u201c<\/p>\n\n\n\n<p>Pr\u00fd jo. Jo a jmenuje se to Artalk.<\/p>\n\n\n\n<p><strong>\u0158\u00edjen 2008<\/strong><\/p>\n\n\n\n<p>Ukazuje se, \u017ee Sk\u0159iv\u00e1nk\u016fv blog bude pot\u0159eba trochu p\u0159ed\u011blat, zm\u011bnit strukturu, zahrnout do n\u011bj i koment\u00e1\u0159e, recenze, rozhovory. P\u016fvodn\u00ed zam\u011b\u0159en\u00ed webu schov\u00e1me pod hlavi\u010dku monitorignu m\u00e9di\u00ed. Na grafika ani na weba\u0159e pen\u00edze nem\u00e1me, tak to pob\u011b\u017e\u00ed na wordpressovsk\u00e9 \u0161ablon\u011b, to se ned\u00e1 nic d\u011blat. Na Artalku vych\u00e1z\u00ed historicky prvn\u00ed \u010dl\u00e1nek a na posledn\u00ed chv\u00edli st\u00edh\u00e1me podat na Ministerstvo kultury \u017e\u00e1dost o dotaci. Tu pochopiteln\u011b nedostaneme.<\/p>\n\n\n\n<p>D\u011bl\u00e1m pr\u016fzkum ter\u00e9nu a zji\u0161\u0165uji, co kde podobn\u00e9ho funguje v&nbsp;zahrani\u010d\u00ed a jakou m\u00e1me konkurenci v&nbsp;\u010cesku. Lenka Lindaurov\u00e1 vede ArtServis.cz a Ladislav Zikmund-Lender Obrazar.com. Rozhodn\u011b maj\u00ed lep\u0161\u00ed grafiku ne\u017e my. Pot\u0159ebujeme n\u011bjakou identitu, pot\u0159ebujeme logo.<\/p>\n\n\n\n<p><strong>Listopad 2008<\/strong><\/p>\n\n\n\n<p>Beru pen\u00edze, co mi zbyly z&nbsp;v\u00fdplaty (12.700 K\u010d hrub\u00e9ho m\u011bs\u00ed\u010dn\u011b za pln\u00fd \u00favazek v kulturn\u00ed st\u00e1tn\u00ed p\u0159\u00edsp\u011bvkov\u00e9 instituci) a po zaplacen\u00ed n\u00e1jmu a j\u00eddla a vol\u00e1m kamar\u00e1dovi grafikovi. Alexander Gutrai obratem pos\u00edl\u00e1 p\u00e1r n\u00e1vrh\u016f. N\u011bkter\u00e9 si hraj\u00ed s&nbsp;kombinac\u00ed r\u016f\u017eov\u00e9 a oran\u017eov\u00e9 barevnosti, na jin\u00fdch se objevuje poskakuj\u00edc\u00ed p\u00edsmeno t, ve t\u0159et\u00ed variant\u011b se objevuje Mona Lisa ve \u010dtverci evokuj\u00edc\u00edm komiksovou bublinu. V\u00edt\u011bz\u00ed Mona Lisa, kter\u00e1 v\u0161ak, kdy\u017e se zmen\u0161\u00ed, nen\u00ed v\u016fbec rozpoznateln\u00e1. Monu Lisu vym\u011b\u0148ujeme za \u010dern\u00fd \u010dtverec, p\u0159ece jenom chceme ps\u00e1t hlavn\u011b o modern\u00edm a sou\u010dasn\u00e9m um\u011bn\u00ed.<\/p>\n\n\n\n<p><strong>B\u0159ezen 2009<\/strong><\/p>\n\n\n\n<p>Z&nbsp;pozice \u0159editele Galerie Klatovy\/Klenov\u00e1 je odvol\u00e1n Marcel Fi\u0161er. Artalk uve\u0159ej\u0148uje jak stanovisko Um\u011blecko-historick\u00e9 spole\u010dnosti, kter\u00e1 se za Fi\u0161era postavila, tak n\u00e1zor z\u00e1stupc\u016f kraje, i vyj\u00e1d\u0159en\u00ed samotn\u00e9ho Marcela Fi\u0161era. Vypl\u00fdv\u00e1 z&nbsp;nich, \u017ee se s&nbsp;nejv\u011bt\u0161\u00ed pravd\u011bpodobnost\u00ed jednalo o politickou z\u00e1le\u017eitost spojenou se zm\u011bnou politick\u00e9 strany ve veden\u00ed kraje, a \u017ee uv\u00e1d\u011bn\u00e9 d\u016fvody k&nbsp;odvol\u00e1n\u00ed byly pouze z\u00e1stupn\u00e9.<\/p>\n\n\n\n<p><strong>Z\u00e1\u0159\u00ed 2009<\/strong><\/p>\n\n\n\n<p>\u00da\u010dastn\u00edme se s&nbsp;Petrou Hlav\u00e1\u010dkovou 3. sjezdu historik\u016f um\u011bn\u00ed na Filosofick\u00e9 fakult\u011b v&nbsp;Praze a prezentujeme zde Artalk. Jsem hrd\u00e1, jedn\u00e1 se o historicky prvn\u00ed p\u0159edstaven\u00ed Artalku na ve\u0159ejnosti. Publikum sjezdu tomu dod\u00e1v\u00e1 na v\u00e1\u017enosti.<\/p>\n\n\n\n<p>Abychom se u\u017eivily, Petra pracuje pro D\u016fm um\u011bn\u00ed m\u011bsta Brna, j\u00e1 pro jinou instituci. Po p\u0159\u00edsp\u011bvku na konferenci z\u00edsk\u00e1v\u00e1me od Domu um\u011bn\u00ed prvn\u00ed placen\u00e9 medi\u00e1ln\u00ed partnerstv\u00ed ve v\u00fd\u0161i 5000 K\u010d a m\u00e1me radost. J\u00e1 jsem po n\u011bkolikalet\u00e9m p\u016fsoben\u00ed ve sv\u00e9 pr\u00e1ci poprv\u00e9 pozv\u00e1na do \u0159editelny, neodch\u00e1z\u00edm v\u0161ak s\u00a0pochvalou. Pr\u00e1ce pro instituci m\u011b zavazuje k\u00a0ve\u0159ejn\u00e9mu prezentov\u00e1n\u00ed pouze a jen t\u00e9to instituce a to pouze se svolen\u00edm jej\u00edho veden\u00ed. Jsem z\u00a0toho zmaten\u00e1 a m\u00e1m pocit, \u017ee jsem mo\u017en\u00e1 s\u00a0Artalkem ud\u011blala chybu. Po intenzivn\u00edm roce pr\u00e1ce jej v\u0161ak nechci pou\u0161t\u011bt k\u00a0vod\u011b. To se ostatn\u011b z\u00e1hy stalo Artservisu a ke stejn\u00e9mu v\u00fdsledku do\u0161el po p\u00e1r letech i Obrazar. Oba weby st\u00e1ly a padaly na sv\u00e9m \u0161\u00e9fredaktorovi*ce zakladateli*ce. Mysl\u00edm si, \u017ee dlouhodob\u011b to nen\u00ed udr\u017eiteln\u00e1 strategie, ale p\u0159ed\u00e1vat nyn\u00ed n\u011bkomu web\u00edsek s\u00a0nulovou finan\u010dn\u00ed podporou je podle m\u011b nere\u00e1ln\u00e9. Kdyby se poda\u0159ilo letos z\u00edskat dotaci, mo\u017en\u00e1 bych nemusela d\u011blat Artalk po ve\u010derech a p\u0159es den m\u00edt jinou pr\u00e1ci. M\u016fj probl\u00e9m, \u017ee po n\u00e1v\u0161t\u011bv\u011b \u0159editelny ji\u017e nechci spojovat Artalk s\u00a0prac\u00ed pro kulturn\u00ed instituci, \u0159e\u0161\u00ed pozitivn\u00ed t\u011bhotensk\u00fd test.<\/p>\n\n\n\n<p><strong>\u0158\u00edjen 2009<\/strong><\/p>\n\n\n\n<p>Pod\u00e1v\u00e1me si op\u011bt \u017e\u00e1dost o grant na Ministerstvo kultury. Tentokr\u00e1te ji\u017e jako ob\u010dansk\u00e9 sdru\u017een\u00ed Artalk.<\/p>\n\n\n\n<p><strong>Leden 2010<\/strong><\/p>\n\n\n\n<p>\u017d\u00e1dost o grant Ministerstva kultury na provoz Artalku nebyla podpo\u0159ena.<\/p>\n\n\n\n<p><strong>Z\u00e1\u0159\u00ed 2010<\/strong><\/p>\n\n\n\n<p>Profesorka Milena Bartlov\u00e1 se nab\u00eddla, \u017ee bude pro Artalk ps\u00e1t pravideln\u00e9 koment\u00e1\u0159e \u201ena okraj zdej\u0161\u00edho d\u011bn\u00ed ve vizu\u00e1ln\u00ed kultu\u0159e\u201c. Prvn\u00ed z jej\u00edch \u010dl\u00e1nk\u016f In_margine vych\u00e1z\u00ed 3. 10. a je v\u011bnov\u00e1n v\u00fdstav\u011b Decadence Now! v Galerii Rudolfinum. Dal\u0161\u00ed texty budou na str\u00e1nk\u00e1ch Artalku vych\u00e1zet v dvout\u00fddenn\u00edm rytmu. M\u00e1me prvn\u00edho st\u00e1l\u00e9ho p\u0159isp\u011bvatele, kter\u00fd nen\u00ed studentem \u010di \u010derstv\u00fdm absolventem. Hned pilotn\u00ed In_margine m\u00e1 skv\u011blou \u010dtenost a o my\u0161lenk\u00e1ch formulovan\u00fdch v&nbsp;t\u00e9to rubrice se za\u010d\u00edn\u00e1 mluvit mezi kolegy z&nbsp;oboru.<\/p>\n\n\n\n<p><strong>\u0158\u00edjen 2010<\/strong><\/p>\n\n\n\n<p>\u017d\u00e1d\u00e1me o grant z&nbsp;Ministerstva kultury.<\/p>\n\n\n\n<p><strong>Leden 2011<\/strong><\/p>\n\n\n\n<p>Na Artalku vych\u00e1z\u00ed informace o v\u00fdb\u011brov\u00e9m \u0159\u00edzen\u00ed na \u0159editele*ku Galerie St\u0159edo\u010desk\u00e9ho kraje. V&nbsp;\u010dele kraje se nach\u00e1z\u00ed hejtman David Rath a Jan Sk\u0159iv\u00e1nek ve sv\u00e9m textu p\u00ed\u0161e: \u201eNa str\u00e1nk\u00e1ch kraje lze (krom tiskov\u00e9 zpr\u00e1vy) naj\u00edt ji\u017e jen tiskov\u00e9 prohl\u00e1\u0161en\u00ed z 13. prosince, ve kter\u00e9m se prav\u00ed, \u017ee v\u00fdb\u011brov\u00e9 \u0159\u00edzen\u00ed bude vyps\u00e1no \u201ev nejbli\u017e\u0161\u00edch dnech\u201c. Kdy se tak stalo, jak\u00e9 bylo zad\u00e1n\u00ed a jak\u00e9 term\u00edny odevzd\u00e1n\u00ed projekt\u016f, tiskov\u00fd odbor nezve\u0159ejnil. \u017d\u00e1dn\u00e9 relevantn\u00ed materi\u00e1ly nen\u00ed mo\u017en\u00e9 naj\u00edt ani v sekci \u00da\u0159edn\u00ed deska \u2013 Voln\u00e1 pracovn\u00ed m\u00edsta \/ V\u00fdb\u011brov\u00e1 \u0159\u00edzen\u00ed. P\u0159es Google se lze dostat na ji\u017e zneplatn\u011bn\u00fd dokument Ozn\u00e1men\u00ed o vyhl\u00e1\u0161en\u00ed v\u00fdb\u011brov\u00e9ho \u0159\u00edzen\u00ed. Na str\u00e1nk\u00e1ch kraje je tento materi\u00e1l dohledateln\u00fd pouze podle jednac\u00edho \u010d\u00edsla, ani pak jej v\u0161ak nen\u00ed mo\u017en\u00e9 otev\u0159\u00edt. Dozv\u00edme se z n\u011bj nicm\u00e9n\u011b aspo\u0148 term\u00edn zve\u0159ejn\u011bn\u00ed: 21. prosince a\u017e 11. ledna. P\u0159edstava transparentn\u00edho v\u00fdb\u011brov\u00e9ho \u0159\u00edzen\u00ed podle Davida Ratha tedy vypad\u00e1 tak, \u017ee konkurz vyhl\u00e1s\u00edm 3 dny p\u0159ed V\u00e1noci, nikomu o n\u011bm ne\u0159eknu, a na p\u0159\u00edpravu projektu d\u00e1m uchaze\u010d\u016fm pouh\u00e9 3 t\u00fddny. Tipnul bych si v\u0161ak, \u017ee ten spr\u00e1vn\u00fd kandid\u00e1t se p\u0159esto jist\u011b p\u0159ihl\u00e1sil.\u201c<\/p>\n\n\n\n<p>\u017d\u00e1dost o dotaci Ministerstva kultury na provoz Artalku byla schv\u00e1lena.<\/p>\n\n\n\n<p>Po n\u00e1stupu Marcela Fi\u0161era do funkce \u0159editele Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v&nbsp;Chebu se s&nbsp;touto instituc\u00ed a s Art+Antiques domlouv\u00e1me na spolupo\u0159\u00e1d\u00e1n\u00ed ceny Osobnost roku. Je ud\u011blov\u00e1na \u017eij\u00edc\u00edm um\u011blc\u016fm*kyn\u00edm za p\u0159\u00ednos na v\u00fdtvarn\u00e9 sc\u00e9n\u011b v&nbsp;uplynul\u00e9m roce.<\/p>\n\n\n\n<p>\u0158editelkou Galerie St\u0159edo\u010desk\u00e9ho kraje se st\u00e1v\u00e1 Jana \u0160orfov\u00e1.<\/p>\n\n\n\n<p><strong>B\u0159ezen 2011<\/strong><\/p>\n\n\n\n<p>Vol\u00e1 Honza Sk\u0159iv\u00e1nek. Mluv\u00ed p\u0159ekotn\u011b, ze za\u010d\u00e1tku moc nerozum\u00edm tomu, co chce \u0159\u00edci. Nakonec si uv\u011bdomuji, \u017ee se dostal k&nbsp;projekt\u016fm kandid\u00e1t\u016f na \u0159editele GASK a \u017ee mu koncepce Jany \u0160orfov\u00e9 p\u0159i\u0161la podez\u0159el\u00e1. Z&nbsp;telefon\u00e1tu t\u00e9\u017e pochop\u00edm, \u017ee dlouh\u00e9 pas\u00e1\u017ee z&nbsp;jej\u00edho textu jsou opsan\u00e9 z&nbsp;projektu Moniky Burian, se kter\u00fdm usilovala o m\u00edsto \u0159editelky N\u00e1rodn\u00ed galerie v&nbsp;Praze, jen n\u00e1zvy instituc\u00ed v&nbsp;n\u011bm byly prohozeny. Praha jako Kutn\u00e1 Hora, galerie jako galerie.<\/p>\n\n\n\n<p><strong>Duben 2011<\/strong><\/p>\n\n\n\n<p>Zpr\u00e1vu o opsan\u00e9m projektu Jany \u0160orfov\u00e9 od Artalku p\u0159ej\u00edmaj\u00ed Lidov\u00e9 noviny, Mlad\u00e1 fronta Dnes i Respekt. Opakovan\u011b otev\u00edr\u00e1m \u010d\u00edslo Respektu, ve kter\u00e9m je vyti\u0161t\u011bn\u00e9 slovo Artalk. Na \u00fa\u010dtu sdru\u017een\u00ed p\u0159ist\u00e1vaj\u00ed prvn\u00ed pen\u00edze z&nbsp;Ministerstva kultury a j\u00e1 plat\u00edm autorovi za p\u0159\u00edsp\u011bvek.<\/p>\n\n\n\n<p><strong>Kv\u011bten 2011<\/strong><\/p>\n\n\n\n<p>Na p\u0159\u00edkladu Kutn\u00e9 Hory a Galerie Klatovy\/Klenov\u00e1 si uv\u011bdomuji, jak je d\u016fle\u017eit\u00e9 se v\u011bnovat i jin\u00fdm t\u00e9mat\u016fm, ne\u017e je samotn\u00e1 kritika prezentovan\u00fdch v\u00fdstav. Z\u00e1kulis\u00ed fungov\u00e1n\u00ed kulturn\u00edch instituc\u00ed, transparentn\u00ed v\u00fdb\u011brov\u00e1 \u0159\u00edzen\u00ed v&nbsp;p\u0159\u00edpad\u011b st\u00e1tn\u00edch, krajsk\u00fdch a m\u011bstsk\u00fdch p\u0159\u00edsp\u011bvkovek, v\u011bdom\u00ed, \u017ee takov\u00e9to instituce maj\u00ed se sv\u00fdm z\u0159izovatelem spolupracovat, ne mu politicky slou\u017eit.<\/p>\n\n\n\n<p>S&nbsp;pen\u011bzi na \u00fa\u010dtu se sna\u017e\u00edm sh\u00e1n\u011bt nov\u00e9 autory. Ob\u010das se stane, \u017ee dostanu ko\u0161em, proto\u017ee by auto\u0159i*ky by si p\u0159\u00e1li, aby jejich text rad\u011bji vy\u0161el v&nbsp;ti\u0161t\u011bn\u00e9m m\u00e9diu.<\/p>\n\n\n\n<p>\u201ePap\u00edr, to vydr\u017e\u00ed.\u201c<\/p>\n\n\n\n<p>\u201eV\u00edte, j\u00e1 to rad\u011bji nap\u00ed\u0161u pro Ateli\u00e9r.\u201c<\/p>\n\n\n\n<p><strong>\u00danor 2012<\/strong><\/p>\n\n\n\n<p>Na Artalku za\u010d\u00edn\u00e1 vych\u00e1zet komiks Kustodka Kv\u011bta. P\u00ed\u0161e jej Tom\u00e1\u0161 Kon\u010dinsk\u00fd, kresl\u00ed Franti\u0161ka Lachmanov\u00e1. Za kr\u00e1tko v\u0161ichni, kdo ob\u010das na netu zabrouzdaj\u00ed na Artalk, v\u011bd\u00ed, \u017ee Kv\u011bta nesn\u00e1\u0161\u00ed, kdy\u017e se j\u00ed v&nbsp;galerii couraj\u00ed lidi.<\/p>\n\n\n\n<p><strong>Z\u00e1\u0159\u00ed 2012<\/strong><\/p>\n\n\n\n<p>Potk\u00e1v\u00e1m se se Zuzanou Jane\u010dkovou. Vznik\u00e1 n\u00e1pad na realizaci slovensk\u00e9 redakce Artalku, kterou by vedla Zuzana spole\u010dn\u011b s&nbsp;Majou \u0160tefan\u010dikovou. Texty budou vych\u00e1zet na jednom m\u00edst\u011b, ideou je, aby se d\u00edky nim roz\u0161\u00ed\u0159ilo v\u011bdom\u00ed \u010desk\u00fdch \u010dten\u00e1\u0159\u016f i o slovensk\u00e9 sc\u00e9n\u011b a naopak.<\/p>\n\n\n\n<p><strong>Listopad 2013<\/strong><\/p>\n\n\n\n<p>Jako prvn\u00ed z&nbsp;\u0159ady recenz\u00ed na v\u00fdstavu finalist\u016f Ceny Jind\u0159icha Chalupeck\u00e9ho vych\u00e1z\u00ed \u010dl\u00e1nek Cena za d\u00edru v&nbsp;p\u0159ekli\u017ece od Krist\u00fdny Dr\u00e1palov\u00e9. K&nbsp;prezentovan\u00fdm d\u00edl\u016fm se stav\u00ed velmi kriticky, naz\u00fdv\u00e1 ji p\u0159ehl\u00eddkou intelektu\u00e1ln\u011b uhnut\u00fdch kuriozit a jako m\u011b\u0159\u00edtko v\u00fdtvarn\u00e9ho um\u011bn\u00ed ch\u00e1pe jeho kr\u00e1su. \u017d\u00e1dn\u00fd jin\u00fd text na Artalku nevzbudil na soci\u00e1ln\u00edch s\u00edt\u00edch i pod samotn\u00fdm p\u0159\u00edsp\u011bvkem tolik reakc\u00ed.<\/p>\n\n\n\n<p><strong>\u0158\u00edjen 2014<\/strong><\/p>\n\n\n\n<p>Op\u011bt m\u011b \u010dek\u00e1 p\u0159edvol\u00e1n\u00ed do \u0159editelny. Je to jin\u00e1 \u0159editelna, ne\u017e ta, ve kter\u00e9 jsem byla v&nbsp;roce 2009. \u0158editelka se zlob\u00ed, \u017ee o jej\u00ed instituci p\u00ed\u0161eme pouze p\u0159\u00edli\u0161 kritick\u00e9 \u010dl\u00e1nky, kter\u00e9 pro n\u011b vyzn\u00edvaj\u00ed negativn\u011b. Pt\u00e1 se, pro\u010d to d\u011bl\u00e1me a zda jsme si na jej\u00ed galerii zasedli. Nezasedli. P\u0159em\u00fd\u0161l\u00edm, jak to vysv\u011btlit. Mo\u017en\u00e1 proto, \u017ee recenze vyjad\u0159uj\u00ed n\u00e1zor recenzent\u016f. Mo\u017en\u00e1 proto, \u017ee recenzenti cht\u011bj\u00ed nastavit instituci kritick\u00e9 zrcadlo.<\/p>\n\n\n\n<p>Za\u010d\u00edn\u00e1m se s&nbsp;autory \u010dast\u011bji bavit na t\u00e9ma, co znamen\u00e1 kritika a kritika kritiky.<\/p>\n\n\n\n<p><strong>\u010cerven 2015<\/strong><\/p>\n\n\n\n<p>Na jist\u00e9 akci potk\u00e1v\u00e1m \u0161\u00e9fkur\u00e1tora galerie, v&nbsp;n\u00ed\u017e se akce kon\u00e1. Obo\u0159\u00ed se na m\u011b. V&nbsp;textu o jeho p\u016fsoben\u00ed a pl\u00e1nech v&nbsp;dan\u00e9 instituci jsme otiskli informace, kter\u00e9 sice autorovi \u010dl\u00e1nku \u0159ekl, ale nel\u00edb\u00ed se mu, \u017ee jsme mu \u010dl\u00e1nek n\u00e1sledn\u011b neposlali k autorizaci. Z&nbsp;n\u00e1sledn\u00e9 konverzace pochop\u00edm, \u017ee uveden\u00e9 informace mu u\u0161kodily u \u0159editele. \u0158\u00edk\u00e1m mu, \u017ee k&nbsp;autorizaci pos\u00edl\u00e1me pouze rozhovory a \u017ee o tom, \u017ee jej autor oslovuje kv\u016fli p\u0159ipravovan\u00e9mu \u010dl\u00e1nku, v\u011bd\u011bl. \u0160\u00e9fkur\u00e1tor se obrac\u00ed z\u00e1dy a odch\u00e1z\u00ed.<\/p>\n\n\n\n<p><strong>Kv\u011bten 2015<\/strong><\/p>\n\n\n\n<p>Na Artalku vych\u00e1z\u00ed pro m\u011b dodnes st\u011b\u017eejn\u00ed \u010dl\u00e1nek Jana Z\u00e1le\u0161\u00e1ka s&nbsp;n\u00e1zvem R\u00e1di bychom se ohradili proti recenz\u00edm. V\u011bnuje se v&nbsp;n\u011bm t\u00e9matu kritiky instituc\u00ed v\u016f\u010di text\u016fm, kter\u00e9 se o jejich v\u00fdstav\u00e1ch nevyjad\u0159uj\u00ed jen pochvaln\u011b. Mimo jin\u00e9 v&nbsp;n\u011bm Z\u00e1le\u0161\u00e1k p\u00ed\u0161e: \u201eInstituce n\u00e1m \u0159\u00edk\u00e1, \u017ee recenzent nutn\u011b \u201ezkresluje\u201c. Jasn\u011b. Co \u017ee se to ale zkresluje? Kur\u00e1torsk\u00e1 intence? To, co je napsan\u00e9 v&nbsp;tiskovce? Mo\u017en\u00e1 by si m\u011bla instituce ps\u00e1t recenze sama? Vychovat si (a&nbsp;udr\u017eovat v&nbsp;pohotovosti) arsen\u00e1l kritik\u016f p\u0159ipraven\u00fdch ps\u00e1t objektivn\u00edm a nezkresluj\u00edc\u00edm zp\u016fsobem? &#8230; Jsem p\u0159esv\u011bd\u010den\u00fd, \u017ee instituce m\u016f\u017ee \u201elustrov\u00e1n\u00edm\u201c kritiky, kter\u00e1 na jej\u00ed adresu zazn\u00ed, dos\u00e1hnout jedin\u011b toho, \u017ee na jej\u00ed akce budou vych\u00e1zet jen ty ohlasy, kter\u00e9 si sama zad\u00e1, respektive vypros\u00ed (to je u n\u00e1s obvyklej\u0161\u00ed).\u201c<\/p>\n\n\n\n<p><strong>Leden 2016<\/strong><\/p>\n\n\n\n<p>\u0160\u00e9fredaktorkou Artalku se st\u00e1v\u00e1 Kl\u00e1ra Stolkov\u00e1.<\/p>\n\n\n\n<p><strong>\u0158\u00edjen 2023<\/strong><\/p>\n\n\n\n<p>Zp\u011btn\u011b p\u00ed\u0161i tento den\u00edk. Vzpom\u00edn\u00e1m na data a ud\u00e1losti, u\u017e si n\u011bkter\u00e9 v\u011bci nepamatuji p\u0159esn\u011b. Snad jsem n\u011bco neuvedla z\u00e1sadn\u011b jinak. Pro\u010d\u00edt\u00e1m si po sob\u011b text a p\u0159em\u00fd\u0161l\u00edm, co z&nbsp;uveden\u00e9ho plat\u00ed i v&nbsp;sou\u010dasnosti. Touha kritik\u016f*\u010dek ps\u00e1t pouze pro ti\u0161t\u011bn\u00e1 m\u00e9dia? Posledn\u00ed \u010d\u00edslo \u010dasopisu Ateli\u00e9r vy\u0161lo v&nbsp;roce 2015. Pot\u0159eba transparentn\u00edch v\u00fdb\u011brov\u00fdch \u0159\u00edzen\u00ed? Nesklouznout k&nbsp;tomu, aby recenze byly jen oslavnou roz\u0161\u00ed\u0159enou tiskovou zpr\u00e1vou? Um\u011bt kritiku ps\u00e1t i p\u0159ijmout? To bude mo\u017en\u00e1 ono.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Silvie \u0160eborov\u00e1, vystudovala d\u011bjiny um\u011bn\u00ed na Filozofick\u00e9 fakult\u011b MU v Brn\u011b. V letech 2005-2010 p\u016fsobila v lektorsk\u00e9m odd\u011blen\u00ed Moravsk\u00e9 galerie v Brn\u011b, kam se v roce 2016 vr\u00e1tila na pozici n\u00e1m\u011bstkyn\u011b pro vn\u011bj\u0161\u00ed komunikaci. V roce 2008 zalo\u017eila Artalk.cz, kter\u00fd vedla do roku 2015, p\u0159isp\u00edv\u00e1 do novin i \u010dasopis\u016f (Art+Antiques, Flash Art, Den\u00edk N&#8230;). P\u016fsob\u00ed jako kriti\u010dka a kur\u00e1torka um\u011bn\u00ed, zaj\u00edm\u00e1 se zvl\u00e1\u0161t\u011b o sou\u010dasn\u00e9 um\u011bn\u00ed a mo\u017enosti jeho zprost\u0159edkov\u00e1n\u00ed.<\/em> (Zdroj: <a href=\"https:\/\/artalk.cz\/author\/se\/\">Artalk.cz<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u010cerven 2008 Po n\u011bkolika odkladech, zp\u016fsoben\u00fdch studiem v&nbsp;zahrani\u010d\u00ed a nutnost\u00ed se nechat zam\u011bstnat, kone\u010dn\u011b odevzd\u00e1v\u00e1m diplomovou magisterskou pr\u00e1ci a skl\u00e1d\u00e1m z\u00e1v\u011bre\u010dn\u00e9 zkou\u0161ky z&nbsp;d\u011bjin um\u011bn\u00ed. Hur\u00e1, dosp\u011bl\u00fd \u017eivot m\u016f\u017ee za\u010d\u00edt. Srpen 2008 Chod\u00edm do pr\u00e1ce, ale najednou nev\u00edm, co s&nbsp;\u010dasem po odpoledn\u00edch a ve\u010derech, kter\u00fd jsem p\u0159edchoz\u00ed m\u011bs\u00edce vypl\u0148ovala hore\u010dnat\u00fdm psan\u00edm diplomky. Cht\u011blo by to n\u011bco vymyslet. Z\u00e1\u0159\u00ed 2008 P\u0159ich\u00e1z\u00edm za Petrou Hlav\u00e1\u010dkovu s&nbsp;n\u00e1padem, \u017ee bych cht\u011bla m\u00edt blog o um\u011bn\u00ed. Budeme tam ps\u00e1t svoje \u010dl\u00e1nky, oslov\u00edme p\u00e1r b\u00fdval\u00fdch spolu\u017e\u00e1k\u016f z&nbsp;d\u011bjin um\u011bn\u00ed, a t\u0159eba si n\u00e1s n\u011bkdo \u010dasem v\u0161imne ve velk\u00fdch m\u00e9di\u00edch, t\u0159eba i v&nbsp;novin\u00e1ch. O t\u00fdden pozd\u011bji vol\u00e1 Petra, \u017ee <a href=\"https:\/\/www.cenavj.cz\/?p=609\" class=\"more-link\" title=\"Read more\">\u2192<\/a><\/p>\n","protected":false},"author":5,"featured_media":392,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts\/609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=609"}],"version-history":[{"count":4,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts\/609\/revisions"}],"predecessor-version":[{"id":740,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/posts\/609\/revisions\/740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/media\/392"}],"wp:attachment":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}