{"id":20,"date":"2016-05-11T19:15:32","date_gmt":"2016-05-11T19:15:32","guid":{"rendered":"http:\/\/cenavj.localhost\/?page_id=20"},"modified":"2023-12-12T13:43:58","modified_gmt":"2023-12-12T13:43:58","slug":"archiv","status":"publish","type":"page","link":"https:\/\/www.cenavj.cz\/?page_id=20","title":{"rendered":"Archiv"},"content":{"rendered":"<h2>VIII. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2023<\/h2>\n<p style=\"font-weight: 400;\">Cena V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky uzav\u00edr\u00e1 osm\u00fd ro\u010dn\u00edk. Hlavn\u00edm c\u00edlem Ceny V\u011bry Jirousov\u00e9 je zviditelnit obor um\u011bleck\u00e9 kritiky a diskutovat nad jeho podobou, vedle oce\u0148ov\u00e1n\u00ed pr\u00e1ce za\u010d\u00ednaj\u00edc\u00edch i etablovan\u00fdch kritik\u016f, je\u017e bude nad\u00e1le pokra\u010dovat v dvoulet\u00e9m rytmu, a pr\u016fb\u011b\u017en\u011b organizovat dal\u0161\u00ed akce, d\u00edky kter\u00fdm se o kritice v\u00edce mluv\u00ed a uva\u017euje. Na\u0161\u00edm c\u00edlem je rovn\u011b\u017e nav\u00e1zat t\u011bsn\u011bj\u0161\u00ed spolupr\u00e1ci se \u0161\u00e9fredaktory \u010dasopis\u016f a internetov\u00fdch platforem v\u011bnovan\u00fdch um\u011bn\u00ed i se z\u00e1stupci kateder a obor\u016f zab\u00fdvaj\u00edc\u00edch se um\u011bn\u00edm, jeho teori\u00ed a kritikou. Do sout\u011b\u017ee se tak dostanou studenti a za\u010d\u00ednaj\u00edc\u00ed auto\u0159i na z\u00e1klad\u011b soustavn\u00e9 pr\u00e1ce.<\/p>\n<p style=\"font-weight: 400;\">Porota se v diskusi rozhodla ocen\u011bn\u00ed <strong>v <\/strong><strong>kategorii za\u010d\u00ednaj\u00edc\u00edch kriti\u010dek a <\/strong><strong>kriti<\/strong><strong>k\u016f ocenit Noemi Purkr\u00e1bkovou<\/strong>.Laure\u00e1tkou ceny v kategorii etablovan\u00fdch kritik\u016f a za p\u0159\u00ednos oboru se pak stala <strong>Ivana Rumanov\u00e1<\/strong>, kulturn\u00ed antropolo\u017eka a anga\u017eovan\u00e1 kriti\u010dka. Odborn\u00e1 porota se v\u00a0leto\u0161n\u00edm ro\u010dn\u00edku rozhodla ud\u011blit tak\u00e9 <strong>\u010destn\u00e9 uzn\u00e1n\u00ed Helen\u011b Todorov\u00e9<\/strong> a roz\u0161\u00ed\u0159it ocen\u011bn\u00ed v\u00a0kategorii za\u010d\u00ednaj\u00edc\u00edch kritik\u016f a kriti\u010dek.<\/p>\n<p style=\"font-weight: 400;\">Odborn\u00e1 porota zasedala ve slo\u017een\u00ed: kur\u00e1tor a v\u00fdtvarn\u00fd um\u011blec <strong>Zbyn\u011bk Baladr\u00e1n<\/strong>, d\u00e1le um\u011blkyn\u011b <strong>Anetta Mona Chisa<\/strong>,\u010desk\u00fd hudebn\u00ed publicista a kur\u00e1tor <strong>Pavel Klus\u00e1k<\/strong>, kur\u00e1torka, kriti\u010dka v\u00fdtvarn\u00e9ho um\u011bn\u00ed a laure\u00e1tka Ceny V\u011bry Jirousov\u00e9 v\u00a0roce 2014 v\u00a0kategorii etablovan\u00e9 kritiky <strong>Tereza Stejskalov\u00e1 <\/strong>a publicistka a kriti\u010dka p\u00ed\u0161\u00edc\u00ed o popkultu\u0159e <strong>T\u00e1\u0148a Zabloudilov\u00e1<\/strong>.<\/p>\n<p style=\"font-weight: 400;\">Porota ocenila p\u0159\u00ednos kritick\u00fdch text\u016f Ivany Rumanov\u00e9, kter\u00e1 je autorkou srozumitelnou jak pro odborn\u00e9 prost\u0159ed\u00ed, tak mainstreamov\u00e9 \u010dten\u00e1\u0159stvo. Ve sv\u00fdch textech prokazuje hlubokou znalost jak sou\u010dasn\u00e9ho vizu\u00e1ln\u00edho um\u011bn\u00ed, tak spole\u010densk\u00e9ho kontextu. Ob\u011b oblasti propojuje sv\u00fdm psan\u00edm zp\u016fsobem, kter\u00fd posiluje relevanci vizu\u00e1ln\u00ed sc\u00e9ny. Rumanov\u00e1 vystudovala kulturn\u00ed antropologii na Univerzit\u011b Karlov\u011b v\u00a0Praze a obor Kulturn\u00ed projekty ve ve\u0159ejn\u00e9m prostoru na Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne. V\u00a0sou\u010dasnosti se v\u011bnuje t\u00e9mat\u016fm klimatick\u00e9 krize a um\u011bn\u00ed ve ve\u0159ejn\u00e9m prostoru. S\u00a0jej\u00edmi texty se \u010dten\u00e1\u0159i setk\u00e1vaj\u00ed na str\u00e1nk\u00e1ch Artalk.info, Art+Antiques, A2-kulturn\u00ed \u010di slovensk\u00fdch platform\u00e1ch jako noviny Kapit\u00e1l.<\/p>\n<p style=\"font-weight: 400;\">V leto\u0161n\u00edm roce se porota Ceny V\u011bry Jirousov\u00e9 rozhodla ud\u011blit cenu pro za\u010d\u00ednaj\u00edc\u00ed kritiky a kriti\u010dky Noemi Purkr\u00e1bkov\u00e9, kter\u00e1 se p\u0159ihl\u00e1sila s textem <em>O velryb\u011b v\u00a0rybn\u00edku<\/em>, kter\u00fd se v\u011bnoval v\u00fdstav\u011b Evy Ko\u0165\u00e1tkov\u00e9 v\u00a0N\u00e1rodn\u00ed galerii v\u00a0Praze. Porota ocenila, \u017ee autorka prokazuje nejenom rozhled dostate\u010dn\u00fd k\u00a0tomu, aby byla schopna pojmenovat a\u017e p\u0159ekvapiv\u011b mnoho t\u00e9mat, se kter\u00fdmi pracuje jak recenzovan\u00e1 v\u00fdstava, tak jej\u00ed autorka dlouhodob\u011b. Napsala text form\u00e1ln\u011b sebev\u011bdom\u00fd a hodnot\u00edc\u00ed jednu z\u00a0nejv\u00fdrazn\u011bj\u0161\u00edch v\u00fdstav roku, nav\u00edc nesnadno kritizovatelnou \u2013 reprezentuje toti\u017e druh uva\u017eov\u00e1n\u00ed spojen\u00fd s\u00a0emocionalitou a aktu\u00e1ln\u011b velmi pal\u010div\u00fdmi probl\u00e9my a t\u00e9maty, od kter\u00fdch zat\u00edm nem\u00e1me bezpe\u010dn\u00fd odstup. Purkr\u00e1bkov\u00e1 jej v\u0161ak p\u0159esto byla schopna uplatnit zp\u016fsobem, kter\u00fd \u010dten\u00e1\u0159i umo\u017e\u0148uje o v\u00fdstav\u011b uva\u017eovat v\u00a0dal\u0161\u00edch, na m\u00edst\u011b nep\u0159\u00edtomn\u00fdch kontextech.<\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\">V\u00a0t\u00e9to kategorii ud\u011blila porota tak\u00e9 \u010destn\u00e9 uzn\u00e1n\u00ed Helen\u011b Todorov\u00e9 za text <em>Masochismus jedn\u00e9 generace <\/em>k\u00a0v\u00fdstav\u011b Daniela Nov\u00e1\u010dka v\u00a0Galerii TIC<em>. <\/em>Texty p\u0159ijat\u00e9 do sout\u011b\u017ee byly hodnoceny v\u00fdhradn\u011b anonymn\u011b. Porota oce\u0148uje jej\u00ed pr\u00e1ci s aktu\u00e1ln\u00edmi texty, kter\u00e9 s\u00a0v\u00fdstavou voln\u011b souvisej\u00ed a dovoluj\u00ed j\u00ed tak reflexi nejen velmi p\u0159esv\u011bd\u010div\u011b budovat, ale sebev\u011bdom\u011b nab\u00edzet relevantn\u00ed kontext, v n\u011bm\u017e lze v\u00fdstavu vn\u00edmat. Recenzovan\u00e9 d\u00edlo se tak\u00e9 neboj\u00ed popisovat velmi konkr\u00e9tn\u011b.<\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\">P\u0159ihl\u00e1\u0161ky do sout\u011b\u017ee jsme p\u0159ij\u00edmali ve t\u0159ech jazyc\u00edch, \u010de\u0161tin\u011b, sloven\u0161tin\u011b a angli\u010dtin\u011b, a bez v\u011bkov\u00e9ho limitu uchaze\u010dek*uchaze\u010d\u016f. <strong>Leto\u0161n\u00ed laure\u00e1tky ve dvou kategori\u00edch obdr\u017e\u00ed finan\u010dn\u00ed odm\u011bnu na podporu jejich publika\u010dn\u00ed a badatelsk\u00e9 \u010dinnosti v hodnot\u011b 10 000 K\u010d, experiment\u00e1ln\u00ed ocen\u011bn\u00ed vetknut\u00e9 do nov\u00e9 publikace \u0160patn\u00e9 psan\u00ed od Travise Jeppesena, je\u017e vych\u00e1z\u00ed jako druh\u00fd svazek Kritick\u00e9 edice pro slavnostn\u00ed ve\u010der<\/strong><strong>, kter\u00fd<\/strong><strong> performativn\u011b p\u0159ipravil Mark Ther. <\/strong>Laure\u00e1tky tak\u00e9 z\u00edsk\u00e1vaj\u00ed ro\u010dn\u00ed p\u0159edplatn\u00e9 \u010dasopis\u016f Art+Antiques, Flash Art CZ\/SK, Fotograf Magazine, A2 kulturn\u00ed \u010dtrn\u00e1ctiden\u00edk, poukaz do knihkupectv\u00ed Artmap v hodnot\u011b 5\u202f000 K\u010d a v kategorii za\u010d\u00ednaj\u00edc\u00ed kritiky tak\u00e9 reziden\u010dn\u00ed pobyt v \u010cesk\u00e9m centru.<\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\">Sou\u010d\u00e1st\u00ed leto\u0161n\u00edho ro\u010dn\u00edku je i <strong>p\u0159edstaven\u00ed knihy \u0160patn\u00e9 psan\u00ed od Travise Jeppesena<\/strong>. Ta vych\u00e1z\u00ed jako druh\u00fd svazek Kritick\u00e9 edice, kterou p\u0159ipravuje Cena V\u011bry Jirousov\u00e9 ve spolupr\u00e1ci s\u00a0Centrem pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha. Travis Jeppesen v knize <em>\u0160patn\u00e9 psan\u00ed <\/em>p\u0159ich\u00e1z\u00ed s radik\u00e1ln\u00ed my\u0161lenkou, \u017ee selh\u00e1n\u00ed nemus\u00ed b\u00fdt v\u017edy ne\u00fasp\u011bch. Jeho z\u00e1jem o \u201e\u0161patnou\u201c literaturu, film \u010di v\u00fdtvarn\u00e9 um\u011bn\u00ed ne\u00fast\u00ed v argumentaci vedenou ve prosp\u011bch \u201espr\u00e1vn\u00fdch\u201c podob tvorby, ale naopak v kritick\u00e9 pochopen\u00ed, \u017ee pr\u00e1v\u011b pro to, \u010d\u00edm tyto pr\u00e1ce \u2013 mnohdy umanut\u011b a zatvrzele \u2013 jsou, jsou zaj\u00edmav\u00e9 a m\u00e1 smysl v\u011bnovat jim pozornost. Neodd\u011blitelnou sou\u010d\u00e1st\u00ed tohoto sd\u011blen\u00ed je i samotn\u00e1 jeho forma, kter\u00e1 experimentuje s jazykem a\u017e na hranici mo\u017en\u00e9ho, je\u017e se v p\u0159\u00edpad\u011b Travise Jeppesena nach\u00e1z\u00ed v oblasti objektov\u011b orientovan\u00e9ho psan\u00ed. Knihu doprov\u00e1zej\u00ed ilustrace Marka Thera.<\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\">Cena V\u011bry Jirousov\u00e9 d\u011bkuje za laskavou podporu \u010cesk\u00fdch center a podpo\u0159e Art+Antiques, Artalk.info, Arty\u010dok.tv, Centrum pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha a Spolek Skutek.<\/p>\n<p style=\"font-weight: 400;\">\n<p style=\"font-weight: 400;\">Projekt Ceny V\u011bry Jirousov\u00e9 se uskute\u010d\u0148uje za finan\u010dn\u00ed podpory Ministerstva kultury \u010cR a hl. m\u011bsta Prahy.<\/p>\n<h2>VII. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2021<\/h2>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/artycok.tv\/video_embed\/?video_id=45057\" width=\"100%\" height=\"100%\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Cena V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky uzav\u0159ela sedm\u00fd ro\u010dn\u00edk. Slavnostn\u00ed zakon\u010den\u00ed sedm\u00e9ho ro\u010dn\u00edku se odehr\u00e1lo v r\u00e1mci festivalu 4 + 4 Dny v pohybu v ned\u011bli 26. z\u00e1\u0159\u00ed v prostoru Nov\u00e9 stra\u0161nick\u00e9 \u0161koly. Ceremoni\u00e1l sest\u00e1val z performance jako zp\u016fsobu um\u011blecky ztv\u00e1rn\u011bn\u00e9ho ocen\u011bn\u00ed, kter\u00e9 vystoupilo z tradi\u010dn\u00edch m\u00e9di\u00ed do performance.<\/p>\n<p>Odborn\u00e1 porota zasedala ve slo\u017een\u00ed: kur\u00e1tor a v\u00fdtvarn\u00fd um\u011blec Zbyn\u011bk Baladr\u00e1n, um\u011blkyn\u011b Anetta Mona Chisa, \u010desk\u00fd hudebn\u00ed publicista a kur\u00e1tor Pavel Klus\u00e1k, teoreti\u010dka vizu\u00e1ln\u00ed kultury Andrea Hr\u016fzov\u00e1 Pr\u016fchov\u00e1 a publicistka a kriti\u010dka p\u00ed\u0161\u00edc\u00ed o popkultu\u0159e T\u00e1\u0148a Zabloudilov\u00e1.<\/p>\n<p>Porota ocenila histori\u010dku, teoreti\u010dku a kriti\u010dku v\u00fdtvarn\u00e9ho um\u011bn\u00ed Milenu Bartlovou za jej\u00ed dlouhodobou publicistickou a teoretickou \u010dinnost. Bartlov\u00e1 formuje \u010desk\u00e9 kritick\u00e9 my\u0161len\u00ed ve ve\u0159ejn\u00e9m prostoru ji\u017e od osmdes\u00e1t\u00fdch let 20. stolet\u00ed. Ve sv\u00fdch textech se zab\u00fdv\u00e1 nesnadn\u00fdmi \u00fakoly, kter\u00e9 maj\u00ed aktu\u00e1ln\u00ed nal\u00e9havost. Otev\u00edr\u00e1 tak nejen akademick\u00e9 debaty o v\u00fdtvarn\u00e9m um\u011bn\u00ed, ale p\u0159edev\u0161\u00edm je p\u0159ibli\u017euje \u0161irok\u00e9 ve\u0159ejnosti v komplexn\u00edch spole\u010densko-historick\u00fdch souvislostech. Ve sv\u00e9 pedagogick\u00e9 praxi kultivuje v\u00fduku teorie a metodologie um\u011bn\u00ed pro mlad\u00e9 um\u011blce i teoretiky. Je autorkou diskutovan\u00fdch, av\u0161ak neignorovateln\u00fdch d\u011bl: Ve sv\u00e9 posledn\u00ed pr\u00e1ci D\u011bjiny \u010desk\u00fdch d\u011bjin um\u011bn\u00ed 1945\u20131969 (UMPRUM, 2020) se v\u011bnovala, jak n\u00e1zev napov\u00edd\u00e1, infrastruktur\u00e1m oboru v polovin\u011b 20. stolet\u00ed.<\/p>\n<p>V leto\u0161n\u00edm roce se porota Ceny V\u011bry Jirousov\u00e9 rozhodla ud\u011blit cenu pro za\u010d\u00ednaj\u00edc\u00ed kritiky a kriti\u010dky Tin\u011b Polia\u010dkov\u00e9, kter\u00e1 se do sout\u011b\u017ee p\u0159ihl\u00e1sila s textem <a href=\"https:\/\/artalk.cz\/2021\/07\/26\/hladanie-strateneho-boha\/\">H\u013eadanie straten\u00e9ho Boha<\/a> (Artalk.cz). Porota ocenila p\u0159edev\u0161\u00edm jej\u00ed kritiku v r\u00e1mci \u0161ir\u0161\u00edho kulturn\u00edho kontextu. Je to hlavn\u011b ukotven\u00ed v realit\u011b, kter\u00e9 leto\u0161n\u00ed porota uplatnila jako krit\u00e9rium pro v\u00fdb\u011br v\u00edt\u011bzn\u00e9ho textu. Texty p\u0159ijat\u00e9 do sout\u011b\u017ee byly hodnoceny v\u00fdhradn\u011b anonymn\u011b.<\/p>\n<p>Hlavn\u00edm c\u00edlem Ceny V\u011bry Jirousov\u00e9 (CVJ) je zviditelnit obor um\u011bleck\u00e9 kritiky a diskutovat nad jeho podobou. Vedle oce\u0148ov\u00e1n\u00ed pr\u00e1ce za\u010d\u00ednaj\u00edc\u00edch i etablovan\u00fdch kritik\u016f, je\u017e bude nad\u00e1le pokra\u010dovat v dvoulet\u00e9m rytmu, bude CVJ pr\u016fb\u011b\u017en\u011b organizovat dal\u0161\u00ed akce, d\u00edky kter\u00fdm se o kritice v\u00edce mluv\u00ed a uva\u017euje. C\u00edlem CVJ je rovn\u011b\u017e nav\u00e1zat t\u011bsn\u011bj\u0161\u00ed spolupr\u00e1ci se \u0161\u00e9fredaktory \u010dasopis\u016f a internetov\u00fdch platforem v\u011bnovan\u00fdch um\u011bn\u00ed i se z\u00e1stupci kateder a obor\u016f zab\u00fdvaj\u00edc\u00edch se um\u011bn\u00edm, jeho teori\u00ed a kritikou. Do sout\u011b\u017ee se tak dostanou studenti a za\u010d\u00ednaj\u00edc\u00ed auto\u0159i na z\u00e1klad\u011b soustavn\u00e9 pr\u00e1ce.<\/p>\n<p>Cena, nesouc\u00ed jm\u00e9no \u010desk\u00e9 b\u00e1sn\u00ed\u0159ky, kriti\u010dky a histori\u010dky um\u011bn\u00ed V\u011bry Jirousov\u00e9 (1944\u20132011), vznikla v roce 2012 d\u00edky spolupr\u00e1ci Mezin\u00e1rodn\u00edho centra sou\u010dasn\u00e9ho um\u011bn\u00ed MeetFactory a INI Gallery s \u010cesk\u00fdmi centry, z iniciativy um\u011blce a kur\u00e1tora Du\u0161ana Zahoransk\u00e9ho. Spolupo\u0159adateli ceny a hlavn\u00edmi medi\u00e1ln\u00edmi partnery jsou \u010dasopis Art+Antiques, port\u00e1l Artalk.cz, Arty\u010dok.TV, Centrum pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha, Spolek Skutek, mezi dal\u0161\u00ed partnery pat\u0159\u00ed A2, Artmap.cz, Flash Art CZ\/SK, Fotograf Magazine a \u010cesk\u00e1 centra.<\/p>\n<h2>VI. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2019<\/h2>\n<p>Odborn\u00e1 porota zasedala ve slo\u017een\u00ed: kritik a kur\u00e1tor <strong>Ji\u0159\u00ed Pt\u00e1\u010dek<\/strong>, kter\u00fd se stal v\u00edt\u011bzem Ceny V\u011bry Jirousov\u00e9 v roce 2015, d\u00e1le um\u011blec <strong>Ale\u0161 \u010cerm\u00e1k<\/strong>a laure\u00e1tka CVJ pro za\u010d\u00ednaj\u00edc\u00ed kritiky z roku 2015, b\u00fdval\u00e1 \u0161\u00e9fredaktorka port\u00e1lu Artalk.cz <strong>Kl\u00e1ra Pelou\u0161kov\u00e1<\/strong>. Posledn\u00ed ze \u010dtve\u0159ice porotc\u016f je slovensk\u00e1 spisovatelka a p\u0159ekladatelka <strong>Michaela Rosov\u00e1<\/strong>.<\/p>\n<p>Mezi <strong>nominovan\u00fdmi<\/strong> v kategorii etablovan\u00fdch kritik\u016f a za p\u0159\u00ednos oboru byli Zuzana Kri\u0161kov\u00e1, Mat\u011bj Forejt, Martin Vrba, Anna Reme\u0161ov\u00e1, Dam\u00e1s Gruska, Karol\u00edna Jirkalov\u00e1, Josef Ledvina, Milena Bartlov\u00e1, Martin Van\u011bk, Petra Hlav\u00e1\u010dkov\u00e1, Jan H. Vitvar, Viktor \u010cech a Ane\u017eka Bartlov\u00e1. V kategorii mlad\u00fdch a za\u010d\u00ednaj\u00edc\u00edch kritik\u016f um\u011bn\u00ed se se sv\u00fdm sout\u011b\u017en\u00edm textem letos p\u0159ihl\u00e1silo 17 autor\u016f a autorek.<\/p>\n<p>Porota ocenila kur\u00e1tora, teoretika, kritika a pedagoga <strong>Viktora \u010cecha<\/strong> za jeho dosavadn\u00ed publicistickou \u010dinnost a schopnost dlouhodob\u011b se v\u011bnovat a interpretovat konkr\u00e9tn\u00ed fenom\u00e9ny v sou\u010dasn\u00e9m um\u011bn\u00ed. D\u00e1le za schopnost setrv\u00e1vat na pozic\u00edch nez\u00e1visl\u00e9ho kritika um\u011bn\u00ed a se sv\u00fdm pov\u011bstn\u00fdm nasazen\u00edm roz\u0161i\u0159ovat a obohacovat p\u0159edstavy o roli a podob\u011b kritick\u00e9ho uva\u017eov\u00e1n\u00ed.<\/p>\n<p>Leto\u0161n\u00ed laure\u00e1t obdr\u017e\u00ed ocen\u011bn\u00ed v\u00fdtvarn\u011b zpracovan\u00e9 um\u011blcem Markem Therem, ro\u010dn\u00ed p\u0159edplatn\u00e9 \u010dasopis\u016f Art Review, Art+Antiques, FlashArt CZ\/SK, Fotograf Magazine a blogu jestevetsikritik.cz, pouk\u00e1zku na n\u00e1kup knih v knihkupectv\u00ed Artmap a vybrat si tak\u00e9 m\u016f\u017ee podporu publika\u010dn\u00ed a\u00a0badatelsk\u00e9 \u010dinnosti (rezidence \/ publikace \/ p\u0159eklad atp.) produkovanou Cenou V\u011bry Jirousov\u00e9.<\/p>\n<p>V leto\u0161n\u00edm roce se porota Ceny V\u011bry Jirousov\u00e9 rozhodla ud\u011blit cenu pro za\u010d\u00ednaj\u00edc\u00ed kritiky <strong>Mat\u011bji Forejtovi<\/strong> za text <a href=\"https:\/\/artalk.cz\/2019\/06\/19\/benatky-special-a-kez-bys-to-mel-tak-tezke-jako-ja\/\"><em>Ben\u00e1tky speci\u00e1l: \u2026 a\u00a0k\u00e9\u017e bys to m\u011bl tak t\u011b\u017ek\u00e9 jako j\u00e1<\/em><\/a>. Forejt\u016fv text porota ocenila za posti\u017een\u00ed z\u00e1kladn\u00edch probl\u00e9m\u016f \u010desk\u00e9 \u00fa\u010dasti na t\u00e9to v\u00fdznamn\u00e9 p\u0159ehl\u00eddce sou\u010dasn\u00e9ho um\u011bn\u00ed (58. mezin\u00e1rodn\u00ed bien\u00e1le um\u011bn\u00ed v Ben\u00e1tk\u00e1ch). A Forejta za nasazen\u00ed a odvahu formulovat kritick\u00e9 soudy a pojmenov\u00e1vat rozporupln\u00e9 aspekty nejen \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9ny.<\/p>\n<p>Laure\u00e1t v kategorii za\u010d\u00ednaj\u00edc\u00edch kritik\u016f obdr\u017e\u00ed ocen\u011bn\u00ed v\u00fdtvarn\u011b zpracovan\u00e9 um\u011blcem Markem Therem, ro\u010dn\u00ed p\u0159edplatn\u00e9 \u010dasopis\u016f Art Review, Art+Antiques, FlashArt CZ\/SK, Fotograf Magazine a blogu jestevetsikritik.cz a reziden\u010dn\u00ed pobyt (5 dn\u00ed v\u010detn\u011b dopravy a\u00a0diet) v\u00a0jednom ze st\u0159edoevropsk\u00fdch \u010cesk\u00fdch center.<\/p>\n<p>Slavnostn\u00ed vyhl\u00e1\u0161en\u00ed VI. ro\u010dn\u00edku se odehr\u00e1lo v r\u00e1mci festivalu <em>4+4 dny v pohybu<\/em> ve st\u0159edu 9. \u0159\u00edjna v prostoru Desfoursk\u00e9ho pal\u00e1ce. Ceremoni\u00e1lu p\u0159edch\u00e1zela performativn\u00ed p\u0159edn\u00e1\u0161ka Viktora \u010cecha <em>Bezradn\u00fd kritik <\/em>po\u0159\u00e1dan\u00e1 v r\u00e1mci doprovodn\u00e9ho programu CVJ. Performativn\u00edm vyhl\u00e1\u0161en\u00edm prov\u00e1zeli um\u011blci Sl\u00e1va Sobotovi\u010dov\u00e1 a David Fesl.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2>V. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2017<\/h2>\n<p>Odborn\u00e1 porota zasedala ve slo\u017een\u00ed: kritik a kur\u00e1tor <strong>Ji\u0159\u00ed Pt\u00e1\u010dek<\/strong>, kter\u00fd se stal v\u00edt\u011bzem CVJ v roce 2015, d\u00e1le um\u011blkyn\u011b <strong>Lenka V\u00edtkov\u00e1<\/strong> a laure\u00e1tka Ceny V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed kritiky z roku 2014, redaktorka \u010dasopisu art+antiques <strong>Ane\u017eka Bartlov\u00e1<\/strong>. V porot\u011b letos poprv\u00e9 zasedl filmov\u00fd kritik a publicista <strong>Kamil Fila<\/strong>. Posledn\u00edm z p\u011btice porotc\u016f byl <strong>Franti\u0161ek Zachoval<\/strong> jako\u017eto z\u00e1stupce partnera, j\u00edm\u017e jsou i letos \u010cesk\u00e1 centra.<\/p>\n<p>Porota ocenila historika um\u011bn\u00ed, kur\u00e1tora a kritika Tom\u00e1\u0161e Pospiszyla za jeho dlouhodobou publicistickou a teoretickou \u010dinnost, jeho schopnost ps\u00e1t jak \u010dtiv\u00e9 recenze a kritiky pro m\u00e9dia s nej\u0161ir\u0161\u00edm dosahem, tak i analytick\u00e9 odborn\u00e9 texty roz\u0161i\u0159uj\u00edc\u00ed soudob\u00fd odborn\u00fd diskurz. Leto\u0161n\u00ed laure\u00e1t obdr\u017e\u00ed ocen\u011bn\u00ed v\u00fdtvarn\u011b zpracovan\u00e9 um\u011blkyn\u00ed Luci\u00ed Scerankovou, ro\u010dn\u00ed p\u0159edplatn\u00e9 \u010dasopis\u016f Art Review, art+antiques, FlashArt CZ\/SK, Fotograf Magazine a blogu jestevetsikritik.cz a reziden\u010dn\u00ed pobyt v \u010cesk\u00e9m centru.<\/p>\n<p>V leto\u0161n\u00edm roce se porota Ceny V\u011bry Jirousov\u00e9 rozhodla neud\u011blit cenu pro za\u010d\u00ednaj\u00edc\u00ed kritiky, vzhledem k n\u00edzk\u00e9 \u00fa\u010dasti v sout\u011b\u017ei; sou\u010dasn\u011b byla navr\u017eena nov\u00e1 struktura CVJ pro ro\u010dn\u00edky n\u00e1sleduj\u00edc\u00ed. Hlavn\u00edm c\u00edlem CVJ je zviditelnit obor um\u011bleck\u00e9 kritiky a diskutovat nad jeho podobou, vedle oce\u0148ov\u00e1n\u00ed pr\u00e1ce za\u010d\u00ednaj\u00edc\u00edch i etablovan\u00fdch kritik\u016f, je\u017e bude nad\u00e1le pokra\u010dovat v dvoulet\u00e9m rytmu, bude CVJ pr\u016fb\u011b\u017en\u011b organizovat dal\u0161\u00ed akce, d\u00edky kter\u00fdm se o kritice v\u00edce mluv\u00ed a uva\u017euje.<\/p>\n<p>Dal\u0161\u00ed z\u00e1sadn\u00ed zm\u011bnou je pak forma samotn\u00e9 sout\u011b\u017ee pro za\u010d\u00ednaj\u00edc\u00ed kritiky. Mo\u017enost p\u0159ihl\u00e1\u0161en\u00ed z\u016fst\u00e1v\u00e1 otev\u0159en\u00e1 pro v\u0161echny, nov\u011b ale uchaze\u010di budou pos\u00edlat t\u0159i texty, nikoliv jeden. Na\u0161\u00edm c\u00edlem je rovn\u011b\u017e nav\u00e1zat t\u011bsn\u011bj\u0161\u00ed spolupr\u00e1ci se \u0161\u00e9fredaktory \u010dasopis\u016f a internetov\u00fdch platforem v\u011bnovan\u00fdch um\u011bn\u00ed i se z\u00e1stupci kateder a obor\u016f zab\u00fdvaj\u00edc\u00edch se um\u011bn\u00edm, jeho teori\u00ed a kritikou. Do sout\u011b\u017ee se tak dostanou studenti a za\u010d\u00ednaj\u00edc\u00ed auto\u0159i na z\u00e1klad\u011b soustavn\u00e9 pr\u00e1ce. V n\u00e1sleduj\u00edc\u00edm roce 2018 se zam\u011b\u0159\u00edme na po\u0159\u00e1d\u00e1n\u00ed workshop\u016f a semin\u00e1\u0159\u016f v\u011bnovan\u00fdch um\u011bleck\u00e9 kritice, p\u0159edn\u00e1\u0161ek zaj\u00edmav\u00fdch osobnost\u00ed a r\u00e1di bychom nav\u00e1zali spolupr\u00e1ci se zahrani\u010dn\u00edmi autory a \u010dasopisy.<strong>\u00a0<\/strong><\/p>\n<p><strong>Tom\u00e1\u0161 Pospiszyl <\/strong>(1967) studoval na p\u0159elomu 80. a 90. let d\u011bjiny um\u011bn\u00ed na Filozofick\u00e9 fakult\u011b Karlovy univerzity. Mezi roky 1995\u20131997 studoval na Center for Curatorial Studies na Bard College v New Yorku. Publikoval sv\u00e9 texty v oborov\u00fdch periodik\u00e1ch jako bylo <em>V\u00fdtvarn\u00e9 um\u011bn\u00ed<\/em>, <em>Detail<\/em> nebo <em>Um\u011blec<\/em>. Sv\u00fdmi recenzemi p\u0159isp\u00edval tak\u00e9 do <em>Ateli\u00e9ru<\/em>, <em>Mlad\u00e9 fronty Dnes<\/em> \u010di \u010dasopis\u016f <em>T\u00fdden<\/em>,<em> Cinepur<\/em> nebo <em>Revolver Revue<\/em>, byl tak\u00e9 sou\u010d\u00e1st\u00ed redakce <em>Reflexu<\/em> a <em>Lidov\u00fdch novin (2010\u20132012)<\/em>. Pro Lidov\u00e9 noviny pravideln\u011b p\u0159isp\u00edval ji\u017e v letech 1996 a 1997 z USA, kdy byla jeho sty\u010dnou redaktorkou pr\u00e1v\u011b V\u011bra Jirousov\u00e1. Od roku 2003 vyu\u010duje na pra\u017esk\u00e9 FAMU, od roku 2012 p\u0159edn\u00e1\u0161\u00ed tak\u00e9 na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed, kde je vedouc\u00edm Katedry teorie a d\u011bjin um\u011bn\u00ed. Dlouhodob\u011b spolupracuje s iniciativou Tranzit.cz.<\/p>\n<p>V minulosti pracoval jako kur\u00e1tor v N\u00e1rodn\u00ed galerii v Praze, byl \u0159editelem Spole\u010dnosti Jind\u0159icha Chalupeck\u00e9ho, v sou\u010dasnosti je p\u0159edsedou jej\u00ed spr\u00e1vn\u00ed rady. Pospiszyl je autorem \u0159ady v\u00fdstavn\u00edch projekt\u016f a doprovodn\u00fdch publikac\u00ed. V nakladatelstv\u00ed Divus vydal <em>Promrdan\u00fd roky<\/em>Davida \u010cern\u00e9ho (2000), s Vandou Sk\u00e1lovou p\u0159ipravil v\u00fdstavu a monografii Al\u00e9na Divi\u0161e (2005), s Ivanem Adamovi\u010dem v\u00fdstavu a knihu <em>Planeta Eden<\/em>(2010). Je autorem retrospektivn\u00ed v\u00fdstavy a monografie Vladislava Mirvalda (2010), koncipoval a odehr\u00e1l performativn\u00ed p\u0159ehl\u00eddku <em>Archiv J\u00faliuse Kollera: Badatelna <\/em>(2012). Sestavil antologii americk\u00e9 v\u00fdtvarn\u00e9 teorie <em>P\u0159ed obrazem<\/em>, s Laurou Hoptmanovou antologii v\u00fdchodoevropsk\u00fdch text\u016f o um\u011bn\u00ed druh\u00e9 poloviny 20. stolet\u00ed <em>Primary Documents <\/em>(2002). Vydal rovn\u011b\u017e soubory sv\u00fdch stat\u00ed <em>Srovn\u00e1vac\u00ed studie <\/em>(2005) zam\u011b\u0159uj\u00edc\u00ed se na rozd\u00edlnost zd\u00e1nliv\u011b podobn\u00fdch um\u011bleck\u00fdch d\u011bl nebo teoretick\u00fdch my\u0161lenek, vznikl\u00fdch sice sou\u010dasn\u011b, ale na r\u016fzn\u00fdch stran\u00e1ch \u017eelezn\u00e9 opony, \u010di knihu <em>Asociativn\u00ed d\u011bjepis um\u011bn\u00ed <\/em>(2014), kter\u00e1 se v \u010desk\u00e9m prost\u0159ed\u00ed stala z\u00e1kladn\u00ed literaturou ke zkoum\u00e1n\u00ed tvorby 60. a 70. let ve vztahu k sou\u010dasn\u00e9mu um\u011bn\u00ed. Jeho zat\u00edm posledn\u00ed vydanou knihou je monografie performera Vladim\u00edra Ambroze (2017). V\u00fdbor z jeho text\u016f v angli\u010dtin\u011b do konce tohoto roku vyd\u00e1 \u0161v\u00fdcarsk\u00e9 nakladatelstv\u00ed JRP Ringier.<\/p>\n<p>Slavnostn\u00ed zakon\u010den\u00ed jubilejn\u00edho ro\u010dn\u00edku se odehr\u00e1lo v r\u00e1mci festivalu <em>4 + 4 Dny v pohybu<\/em> v p\u00e1tek 13. \u0159\u00edjna v prostoru Kas\u00e1ren Karl\u00edn. Ceremoni\u00e1lu p\u0159edch\u00e1zela diskuze <em>Pou\u010den\u00ed z Dokumenty 14<\/em>, po\u0159\u00e1dan\u00e1 v r\u00e1mci doprovodn\u00e9ho programu CVJ.<\/p>\n<h2>IV. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2016<\/h2>\n<p><span style=\"font-weight: 400;\">Slavnostn\u00ed vyhl\u00e1\u0161en\u00ed laure\u00e1t\u016f Ceny V\u011bry Jirousov\u00e9 2016 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky v\u00fdtvarn\u00e9ho um\u011bn\u00ed se uskute\u010dnilo 17. listopadu 2016 v Caf\u00e9 Jedna. O laure\u00e1tech v obou kategori\u00edch rozhodovala odborn\u00e1 porota ve slo\u017een\u00ed: kritik a kur\u00e1tor <\/span><b>Ji\u0159\u00ed Pt\u00e1\u010dek<\/b><span style=\"font-weight: 400;\">, kter\u00fd se stal v\u00edt\u011bzem CVJ v kategorii etablovan\u00fdch kritik\u016f v roce 2015, d\u00e1le mal\u00ed\u0159ka <\/span><b>Lenka V\u00edtkov\u00e1<\/b><span style=\"font-weight: 400;\"> a dlouholet\u00fd hudebn\u00ed kritik a redaktor Radia Wave<\/span><b> Pavel Klus\u00e1k<\/b><span style=\"font-weight: 400;\">. Podruh\u00e9 v porot\u011b zasedla kriti\u010dka a kur\u00e1torka pra\u017esk\u00e9 galerie Tranzitdisplay <\/span><b>Tereza Stejskalov\u00e1,<\/b><span style=\"font-weight: 400;\"> laure\u00e1tka CVJ za rok 2014. Posledn\u00edm z p\u011btice porotc\u016f byl <\/span><b>Franti\u0161ek Zachoval,<\/b><span style=\"font-weight: 400;\"> jako\u017eto z\u00e1stupce partnera CVJ, j\u00ed<\/span><span style=\"font-weight: 400;\">m\u017e byli v roce 2016 \u010cesk\u00e1 centra. Autorem cen pro rok 2016 byl socha\u0159 V\u00e1clav Litvan. Krom\u011b samotn\u00e9ho vyhl\u00e1\u0161en\u00ed v\u00edt\u011bz\u016f prob\u011bhla v r\u00e1mci slavnostn\u00edho ve\u010dera p\u0159edn\u00e1\u0161ka <\/span><b>Jense-Christiana Rabeho<\/b><span style=\"font-weight: 400;\"> (Mnichov, S\u00fcddeutsche Zeitung) s n\u00e1zvem Kritika kritik\u016f, je\u017e byla po\u0159\u00e1d\u00e1na ve spolupr\u00e1ci s Goethe-Institutem v Praze v n\u00e1vaznosti na program \u201cStroj na kritiku: 50 let sborn\u00edku Kursbuch\u201d.<\/span><\/p>\n<p><strong>Laure\u00e1ty Ceny V\u011bry Jirousov\u00e9 2016 se stali Tereza Hru\u0161kov\u00e1 a Michal Novotn\u00fd.<\/strong><\/p>\n<p><b>Tereza Hru\u0161kov\u00e1<\/b><span style=\"font-weight: 400;\"> z\u00edskala Cenu V\u011bry Jirousov\u00e9 v kategorii za\u010d\u00ednaj\u00edc\u00edch kritik\u016f v\u00fdtvarn\u00e9ho um\u011bn\u00ed na z\u00e1klad\u011b textu <\/span><a href=\"http:\/\/www.kulturissimo.cz\/?preliminary-sadness-karlin-studios-michal-novotny-recenze&amp;detail=3453\"><span style=\"font-weight: 400;\">Nesnesiteln\u00e1 lehkost<\/span><\/a><span style=\"font-weight: 400;\">, publikovan\u00e9m p\u016fvodn\u011b na dnes ji\u017e neexistuj\u00edc\u00ed webov\u00e9 platform\u011b Kulturissimo.cz. Porota hodnotila text jako anonymn\u00ed a ocenila p\u0159edev\u0161\u00edm lehkost psan\u00ed a zaj\u00edmav\u00fd interpreta\u010dn\u00ed p\u0159\u00edstup, kter\u00fd autorka v textu aplikovala. Hru\u0161kov\u00e9 t<\/span><span style=\"font-weight: 400;\">ext se v\u011bnuje v\u00fdstav\u011b Preliminary Sadness, kterou kur\u00e1torsky p\u0159ipravil v Karlin Studios <\/span><b>Michal Novotn\u00fd<\/b><span style=\"font-weight: 400;\"> jen\u017e se stal laure\u00e1tem CVJ v <\/span><span style=\"font-weight: 400;\">kategorii etablovan\u00fdch kritik\u016f. Novotn\u00fd oslovil porotu svou nekompromisnost\u00ed a p\u0159esnost\u00ed, s n\u00ed\u017e v textech i recenz\u00edch formuluje probl\u00e9my, a to jak na institucion\u00e1ln\u00ed rovin\u011b, tak i na \u00farovni kur\u00e1torstv\u00ed v\u00fdstav sou\u010dasn\u00e9ho um\u011bn\u00ed. Porota ocenila, \u017ee svou prac\u00ed dok\u00e1\u017ee Novotn\u00fd vzbudit diskusi a rozruch v jindy stojat\u00fdch vod\u00e1ch \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9ny.<\/span><\/p>\n<h3><b>Doprovodn\u00fd program 2016<\/b><\/h3>\n<p><b>14\/3\/2016, kav\u00e1rna Liber\u00e1l, Praha<br \/>\n<\/b><b>Diskuse METAkritika<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Diskusi po\u0159\u00e1dali Cena V\u011bry Jirousov\u00e9 a Spolek Skutek, a t\u00fdkala se sborn\u00edku text\u016f METAkritika (2015). Ten vy\u0161el s finan\u010dn\u00ed podporou Spolku Skutek jako v\u00fdsledek \u010dtvrtro\u010dn\u00edho \u00fasil\u00ed navazuj\u00edc\u00edho na podn\u011bt Milana Sal\u00e1ka a Marka Meduny, um\u011blc\u016f a odborn\u00fdch asistent\u016f na UMPRUM, kte\u0159\u00ed p\u0159izvali do realiza\u010dn\u00edho t\u00fdmu sv\u00e9 studenty a absolventy. Z\u00e1m\u011brem bylo zrecenzovat z pozice um\u011blc\u016f texty, kter\u00e9 o um\u011bn\u00ed p\u00ed\u0161\u00ed novin\u00e1\u0159i i kritici ve vybran\u00fdch periodic\u00edch. Mezi zkouman\u00e1 m\u00e9dia pak v prvn\u00ed f\u00e1zi za\u0159adili (chystaj\u00ed pr\u00fd je\u0161t\u011b druh\u00fd d\u00edl s jin\u00fdmi \u010dasopisy) A2, Ateli\u00e9r, Flash Art CZ\/SK, Nov\u00fd Prostor, Lidov\u00e9 noviny, Reflex a Respekt.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">V reakci na vyd\u00e1n\u00ed sborn\u00edku (ke sta\u017een\u00ed zde:<\/span><a href=\"http:\/\/artalk.cz\/2015\/09\/15\/metakritika-aneb-kritizovani-kritiky\/\"><span style=\"font-weight: 400;\">http:\/\/artalk.cz\/2015\/09\/15\/metakritika-aneb-kritizovani-kritiky\/<\/span><\/a><span style=\"font-weight: 400;\">) diskusi, nikoliv s um\u011blci, ale s redaktory a \u010d\u00e1ste\u010dn\u011b autory, jejich\u017e texty jsou v recenz\u00edch rozeb\u00edr\u00e1ny a to p\u0159edev\u0161\u00edm z periodik, kter\u00e1 nejsou prim\u00e1rn\u011b ur\u010dena odborn\u00e9, ale naopak co nej\u0161ir\u0161\u00ed ve\u0159ejnosti (i proto jsme p\u0159izvali tak\u00e9 z\u00e1stupce Hospod\u00e1\u0159sk\u00fdch novin). Ch\u00e1peme toti\u017e sborn\u00edk METAkritika jako p\u0159\u00edsp\u011bvek do diskuse, nikoliv s kone\u010dnou platnost\u00ed dan\u00e9 slovo. Referov\u00e1n\u00ed a recenzov\u00e1n\u00ed o v\u00fdtvarn\u00e9 kultu\u0159e a um\u011bn\u00ed speci\u00e1ln\u011b pova\u017eujeme za z\u00e1sadn\u00ed a d\u016fle\u017eitou sou\u010d\u00e1st kulturn\u00edho prost\u0159ed\u00ed spole\u010dnosti s potenci\u00e1lem jednak kultivovat, ale p\u0159edev\u0161\u00edm zprost\u0159edkov\u00e1vat a motivovat komunikaci mezi jindy podivn\u011b izolovan\u00fdmi skupinami.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">C\u00edlem diskuse by nem\u011blo b\u00fdt odhalen\u00ed nedostatk\u016f a chyb, jich\u017e se dopustili auto\u0159i METAkritiky, naopak jsme se zam\u011b\u0159ili na anal\u00fdzu prost\u0159ed\u00ed a p\u0159edev\u0161\u00edm na rezervy a v\u016fbec mo\u017enosti zm\u011bny sou\u010dasn\u00e9ho stavu. Mysl\u00edme si toti\u017e, \u017ee pr\u00e1v\u011b pozitivn\u011b zalo\u017een\u00e1 diskuse m\u016f\u017ee p\u0159in\u00e9st ovoce v podob\u011b nov\u00fdch idej\u00ed, n\u00e1pad\u016f a t\u0159ebas i kl\u00ed\u010d\u00edc\u00ed zm\u011bny, po n\u00ed\u017e um\u011blci ve sborn\u00edku volaj\u00ed. Ve\u010der byl koncipov\u00e1n jako \u0161\u00ed\u0159eji postaven\u00e1 panelov\u00e1 diskuse s kritiky a \u017eurnalisty z m\u00e9di\u00ed, kter\u00e1 se prim\u00e1rn\u011b nesoust\u0159ed\u00ed na v\u00fdtvarnou sc\u00e9nu. Jak je v nich reflektov\u00e1no sou\u010dasn\u00e9 um\u011bn\u00ed? Jak vyb\u00edraj\u00ed zpracov\u00e1van\u00e1 t\u00e9mata? Co c\u00edt\u00ed sami jako probl\u00e9my?<\/span><\/p>\n<p><b>17\/11\/2016, Caf\u00e9 Jedna, Praha<br \/>\n<\/b><b>Kritika kritiky<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Na kritice je nejt\u011b\u017e\u0161\u00ed zpochyb\u0148ov\u00e1n\u00ed kritick\u00e9ho posuzovatele j\u00edm samotn\u00fdm. Neohro\u017een\u00e1 p\u0159etrv\u00e1vaj\u00edc\u00ed d\u016fv\u011bra v my\u0161len\u00ed a diskutov\u00e1n\u00ed, by\u0165 s v\u011bdom\u00edm, \u017ee stoj\u00edm u zdi, to je radostn\u00e1 kritika kritiky. Takov\u00e1 kritika kritiky je samoz\u0159ejm\u011b sv\u00edzeln\u00e1 a nam\u00e1hav\u00e1 z\u00e1le\u017eitost a v p\u0159\u00edpad\u011b pochybnost\u00ed nekone\u010dn\u00e1 v\u011bc, kter\u00e1 nevede k n\u011b\u010demu tak fajnov\u00e9mu jako je Habermas\u016fv nenucen\u00fd n\u00e1tlak lep\u0161\u00edho argumentu. Sp\u00ed\u0161 to sp\u011bje k situaci, kterou bychom mo\u017en\u00e1 mohli ozna\u010dit jako permanentn\u011b paliativn\u00ed, m\u00edrn\u00edc\u00ed bolest.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Jens-Christian Rabe<\/strong> se narodil v roce 1977 v Erlangen, vystudoval literaturu, politick\u00e9 v\u011bdy, sociologii a filozofii v Mnichov\u011b. Od roku 2007 zauj\u00edm\u00e1 pozici liter\u00e1rn\u00edho kritika a kritika popkultury v kulturn\u00ed redakci den\u00edku S\u00fcddeutsche Zeitung. V nakladatelstv\u00ed Suhrkamp Verlag vydal esej o soudob\u00fdch hipsterech pod n\u00e1zvem \u201cSou\u010dasnost jako fantasma\u201d (2012), krom\u011b toho esej o Slavoji \u017di\u017ekovi \u201cFilosofie jako telesport\u201d (2011). V \u010dasopisu Mittelweg Hambursk\u00e9ho institutu pro soci\u00e1ln\u00ed v\u00fdzkum vy\u0161el jeho esej s n\u00e1zvem \u201cAgovat, reagovat, odreagovat\u201d (2015), pokus o nen\u00e1vist jako popul\u00e1rn\u00ed um\u011bn\u00ed.<\/span><\/p>\n<h2 id=\"iii.-ro\u010dn\u00edk-ceny-v\u011bry-jirousov\u00e9-2015\">III. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2015<\/h2>\n<p>T\u0159et\u00ed ro\u010dn\u00edk p\u0159inesl n\u011bkolik zm\u011bn. Prob\u011bhla ka\u017edoro\u010dn\u00ed obm\u011bna poroty, v n\u00ed\u017e zasedli <strong>Miroslav Bala\u0161t\u00edk<\/strong>, \u0161\u00e9fredaktor \u010dasopisu HOST, <strong>Tereza Stejskalov\u00e1<\/strong>, lo\u0148sk\u00e1 laure\u00e1tka Ceny V\u011bry Jirousov\u00e9 v kategorii etablovan\u00e9 kritiky a za p\u0159\u00ednos oboru, um\u011blkyn\u011b a kur\u00e1torka <strong>Sl\u00e1va Sobotovi\u010dov\u00e1<\/strong>, <strong>Franti\u0161ek Zachoval<\/strong>, kritik a \u0159editel \u010cesk\u00e9ho centra v Bukure\u0161ti a tak\u00e9 pedagog a um\u011blec <strong>Du\u0161an Zahoransk\u00fd<\/strong>, kter\u00fd vznik ocen\u011bn\u00ed inicioval. Dal\u0161\u00ed zm\u011bnou je posun v\u011bkov\u00e9 hranice pro mlad\u00e9 a za\u010d\u00ednaj\u00edc\u00ed autory na 28let (v\u010detn\u011b). Od posunu jsme si slibovali p\u0159edev\u0161\u00edm v\u011bt\u0161\u00ed po\u010det p\u0159ihl\u00e1\u0161en\u00fdch mlad\u00fdch kritik\u016f a tedy i v\u011bt\u0161\u00ed otev\u0159enost.<\/p>\n<p><strong>Laure\u00e1ty Ceny V\u011bry Jirousov\u00e9 2015 se stali Kl\u00e1ra Pelou\u0161kov\u00e1 a Ji\u0159\u00ed Pt\u00e1\u010dek.<\/strong><\/p>\n<p><strong>Kl\u00e1ru Pelou\u0161kovou<\/strong> porota vybrala ze \u010dtrn\u00e1cti p\u0159ihl\u00e1\u0161en\u00fdch a ocenila na z\u00e1klad\u011b textu \u017divot ve zdech galerie. \u201eJe to kvalitn\u00ed text, v n\u011bm\u017e autorka zasazuje konkr\u00e9tn\u00ed d\u00edlo v \u0161ir\u0161\u00ed kontext a jasn\u011b formuluje sv\u016fj postoj. Zaj\u00edmav\u00e1 je ur\u010dit\u011b tak\u00e9 \u00favaha o roli designu a kritick\u00e9 zhodnocen\u00ed kur\u00e1torsk\u00e9 koncepce\u201c, dod\u00e1vaj\u00ed k rozhodnut\u00ed poroty Du\u0161an Zahoransk\u00fd a Tereza Stejskalov\u00e1.<\/p>\n<p>V\u00a0kategorii etablovan\u00fdch kritik\u016f a za p\u0159\u00ednos oboru se odborn\u00e1 porota shodla na ocen\u011bn\u00ed pr\u00e1ci <strong>Ji\u0159\u00edho Pt\u00e1\u010dka<\/strong> za dlouhodobou soustavnou \u010dinnost v\u00a0\u010dasopise Nov\u00fd prostor, kde publikuje v\u00a0kulturn\u00ed rubrice p\u0159edev\u0161\u00edm populariza\u010dn\u00ed texty, ale tak\u00e9 za kritick\u00e9 texty zve\u0159ej\u0148ovan\u00e9 na vlastn\u00edm blogu. Pt\u00e1\u010dek se \u010dasto soust\u0159ed\u00ed na aktu\u00e1ln\u00ed ve\u0159ejn\u011b diskutovan\u00e9 kauzy. Sl\u00e1va Sobotovi\u010dov\u00e1 Pt\u00e1\u010dkovu kritickou praxi hodnot\u00ed jako \u201esoust\u0159ed\u011bnou slu\u017ebu um\u011bleck\u00e9mu provozu\u201c a oce\u0148uje, \u017ee Pt\u00e1\u010dek \u201ena z\u00e1klad\u011b vlastn\u00edho dlouhodob\u00e9ho ter\u00e9nn\u00edho v\u00fdzkumu objevuje s\u00e1m nov\u00e9 osobnosti a t\u00e9mata.\u201c<\/p>\n<h3 id=\"doprovodn\u00fd-program-2015\">Doprovodn\u00fd program 2015<\/h3>\n<p>Stejn\u011b jako p\u0159ede\u0161l\u00e9 ro\u010dn\u00edky, doprov\u00e1zel vyhl\u00e1\u0161en\u00ed v\u00fdsledk\u016f v obou sout\u011b\u017en\u00edch kategori\u00edch bohat\u00fd doprovodn\u00fd program. T\u0159et\u00ed ro\u010dn\u00edk nab\u00eddl workshop pro mlad\u00e9 a za\u010d\u00ednaj\u00edc\u00ed autory a jednodenn\u00ed mezin\u00e1rodn\u00ed konferenci na t\u00e9ma ArtCriticism 2.0.<\/p>\n<p><strong>9\/10 a 16\/10\/2015<\/strong><br \/>\n<strong>workshop v\u00fdtvarn\u00e9 kritiky na t\u00e9ma: Kdy je um\u011bn\u00ed filmem?<\/strong><br \/>\nHranice mezi filmov\u00fdm a um\u011bleck\u00fdm d\u00edlem jsou pohybliv\u00e9, to jist\u011b nen\u00ed novinka. Vloni v\u0161ak, pro mnoh\u00e9 p\u0159ekvapiv\u011b, vyhr\u00e1li nejd\u016fle\u017eit\u011bj\u0161\u00ed v\u00fdtvarn\u00e1 ocen\u011bn\u00ed dva hodinov\u00e9 filmy: britskou Turner Prize z\u00edskal Duncan Campbell s filmem: It for others a \u010desk\u00e9 ocen\u011bn\u00ed pro um\u011blce do 35let Cena Jind\u0159icha Chalupeck\u00e9ho bylo ud\u011bleno Romanu \u0160t\u011btinovi za d\u00edlo Ztracen\u00fd p\u0159\u00edpad. V\u00fdtvarn\u00e1 kritika ale, alespo\u0148 v tuzemsk\u00e9m p\u0159\u00edpad\u011b, nev\u011bnovala d\u00edlu samotn\u00e9mu p\u0159\u00edli\u0161 pozornosti a m\u00edsto toho se soust\u0159edila na laure\u00e1ta jako\u017eto celebritu. Mo\u017en\u00e1, \u017ee n\u00e1m pro adekv\u00e1tn\u00ed zhodnocen\u00ed chyb\u00ed n\u00e1stroje? \u00dast\u0159edn\u00edm bodem workshopu se stala ot\u00e1zka kde a zda je t\u0159eba hledat hranice mezi filmem a v\u00fdtvarn\u00fdm d\u00edlem, p\u0159edev\u0161\u00edm pak v\u00a0perspektiv\u011b kritiky (reflexe). Pozv\u00e1n\u00ed na prvn\u00ed \u010d\u00e1st workshopu p\u0159ijal kritik a teoretik filmu Radom\u00edr Douglas Koke\u0161, kter\u00fd uk\u00e1zal jak\u00e9 n\u00e1stroje, jako kritik a teoretik, pou\u017e\u00edv\u00e1 pro hodnocen\u00ed \u017e\u00e1nru detektivky. Spole\u010dn\u011b jsme se pod\u00edvali na Ztracen\u00fd p\u0159\u00edpad Romana \u0160t\u011btiny, filmov\u00e9 um\u011bleck\u00e9 d\u00edlo s\u00a0n\u00edm\u017e vyhr\u00e1l Cenu Jind\u0159icha Chalupeck\u00e9ho 2014. N\u00e1sleduj\u00edc\u00ed t\u00fdden prob\u011bhla diskuse s Kamilem Filou, zku\u0161en\u00fdm kritikem filmu, kter\u00fd n\u00e1m jednak prozradil mnoho o tom jak funguje filmov\u00e1 kritika (v porovn\u00e1n\u00ed s\u00a0v\u00fdtvarnou) jak\u00e9 v\u00fdhody a nev\u00fdhody vid\u00ed ve sv\u00e9m anga\u017em\u00e1 st\u00e1l\u00e9ho \u010dlena redakce t\u00fdden\u00edku Respekt, ale tak\u00e9 jsme se to\u010dili kolem t\u00e9matu hranice filmu a um\u011bn\u00ed, \u017e\u00e1nr\u016f, n\u00e1stroj\u016f a kategori\u00ed, kter\u00e9 snad mohou b\u00fdt u\u017eite\u010dn\u00e9 ob\u011bma obor\u016fm, tedy v\u00fdtvarn\u00e9 i filmov\u00e9 kritice.<\/p>\n<p><strong>6\/11\/2015<\/strong> prob\u011bhla ve Veletr\u017en\u00edm pal\u00e1ci, N\u00e1rodn\u00ed galerii v\u00a0Praze, mezin\u00e1rodn\u00ed konference nazvan\u00e1 <strong>Art Criticism 2.0<\/strong>, jej\u00edm\u017e t\u00e9matem bylo zkoum\u00e1n\u00ed stavu a mo\u017enost\u00ed kritiky v post-internetov\u00e9 dob\u011b. Na\u0161e pozv\u00e1n\u00ed p\u0159ijal <strong>David Joselit<\/strong>, v\u00fdznamn\u00fd kunsthistorik, kritik a kur\u00e1tor, kter\u00fd v sou\u010dasnosti p\u016fsob\u00ed na City University of New York a v\u00a0\u010dasopisu OCTOBER. Dal\u0161\u00ed p\u0159\u00edsp\u011bvky p\u0159ednesli <strong>Natalia Fedorova<\/strong> (Smolny College St-Petersburg, kur\u00e1torka, kriti\u010dka a um\u011blkyn\u011b), <strong>Elisa Rusca<\/strong> (nez\u00e1visl\u00e1 kur\u00e1torka, m\u00edstop\u0159edsedkyn\u011b asociace kritik\u016f um\u011bn\u00ed AICA International), <strong>Sebastian M\u00fchl<\/strong> (Universit\u00e4t Offenbach, um\u011blec a kur\u00e1tor), <strong>Eve Kalyva<\/strong> (nez\u00e1visl\u00e1 kriti\u010dka) nebo <strong>Tom Clark<\/strong> (BAK Utrecht). Konference byla p\u0159ipravena ve spolupr\u00e1ci s V\u011bdecko-v\u00fdzkumn\u00fdm pracovi\u0161t\u011bm AVU a N\u00e1rodn\u00ed galerie v Praze. Jednac\u00edm jazykem konference byla angli\u010dtina.<\/p>\n<p>Z\u00e1znam z\u00a0konference, v\u010detn\u011b profil\u016f a abstrakt\u016f z\u00a0jednotliv\u00fdch p\u0159\u00edsp\u011bvk\u016f m\u016f\u017eete, d\u00edky platform\u011b Arty\u010dok.tv, nal\u00e9zt zde: <a class=\"uri\" href=\"http:\/\/artycok.tv\/lang\/cs-cz\/online-exhibition\/international-conference-art-criticism-2-0\">http:\/\/artycok.tv\/lang\/cs-cz\/online-exhibition\/international-conference-art-criticism-2-0<\/a><\/p>\n<h2 id=\"ii.-ro\u010dn\u00edk-ceny-v\u011bry-jirousov\u00e9-2014\">II. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2014<\/h2>\n<p>Slavnostn\u00ed vyhl\u00e1\u0161en\u00ed laure\u00e1t\u016f druh\u00e9ho ro\u010dn\u00edku Ceny V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky v\u00fdtvarn\u00e9ho um\u011bn\u00ed se uskute\u010dnilo 2\/10\/2014 v pra\u017esk\u00e9 MeetFactory. O laure\u00e1tk\u00e1ch v obou kategori\u00edch rozhodovala odborn\u00e1 porota ve slo\u017een\u00ed gener\u00e1ln\u00ed \u0159editelka \u010cesk\u00fdch center <strong>Vilma An\u00fd\u017eov\u00e1<\/strong>, \u0161\u00e9fredaktor liter\u00e1rn\u00edho m\u011bs\u00ed\u010dn\u00edku a nakladatelstv\u00ed Host <strong>Miroslav Bala\u0161t\u00edk<\/strong>, kritik a kur\u00e1tor a \u0159editel PLATO Ostrava a b\u00fdval\u00fd \u0159editel Moravsk\u00e9 galerie v Brn\u011b <strong>Marek Pokorn\u00fd<\/strong>, um\u011blkyn\u011b p\u016fsob\u00edc\u00ed ve V\u011bdecko-v\u00fdzkumn\u00e9m pracovi\u0161ti AVU <strong>Sl\u00e1va Sobotovi\u010dov\u00e1<\/strong> a vizu\u00e1ln\u00ed um\u011blec a pedagog <strong>Du\u0161an Zahoransk\u00fd<\/strong>.<\/p>\n<p><strong>Laure\u00e1tkami druh\u00e9ho ro\u010dn\u00edku CVJ se staly Tereza Stejskalov\u00e1 a Ane\u017eka Bartlov\u00e1.<\/strong><\/p>\n<p>U <strong>Ane\u017eky Bartlov\u00e9<\/strong>, kter\u00e1 z\u00edskala cenu v kategorii do 26 let, porota ocenila zejm\u00e9na vlastn\u00ed n\u00e1zor, ale z\u00e1rove\u0148 schopnost precizn\u00ed anal\u00fdzy a kontextualizace. \u201e<em>\u00daspornost vyjad\u0159ov\u00e1n\u00ed, schopnost interpretace v r\u016fzn\u00fdch souvislostech a sou\u010dasn\u011b kritick\u00fd odstup a my\u0161lenkov\u00e1 hloubka, to jsou p\u0159ednosti, kter\u00fdmi kriti\u010dka Bartlov\u00e1 suver\u00e9nn\u011b vl\u00e1dne,<\/em>\u201c \u0159\u00edk\u00e1 \u010dlen komise <strong>Miroslav Bala\u0161t\u00edk<\/strong>.<\/p>\n<p><strong>Terezu Stejskalovou<\/strong> vybrala komise z \u0161estat\u0159iceti nominovan\u00fdch v kategorii etablovan\u00fdch kritik\u016f. \u201e<em>Tereza Stejskalov\u00e1 od po\u010d\u00e1tku sv\u00e9 dr\u00e1hy pracuje v t\u011bsn\u00e9m sep\u011bt\u00ed se sou\u010dasnou v\u00fdtvarnou sc\u00e9nou, hlavn\u011b s nejmlad\u0161\u00ed generac\u00ed um\u011blc\u016f, p\u0159i\u010dem\u017e definuje a reflektuje nej\u017eiv\u011bj\u0161\u00ed t\u00e9mata. Jej\u00ed z\u00e1b\u011br p\u0159esahuje oblast v\u00fdtvarn\u00e9ho um\u011bn\u00ed: ve sv\u00e9 novin\u00e1\u0159sk\u00e9 pr\u00e1ci kontinu\u00e1ln\u011b upozor\u0148uje na pal\u010div\u00e9 probl\u00e9my kultury a um\u011bleck\u00e9ho provozu obecn\u011b. V\u00fdtvarnou kritiku a \u017eurnalistiku propojuje mimo\u0159\u00e1dn\u011b tv\u016fr\u010d\u00edm zp\u016fsobem s dal\u0161\u00edmi \u010dinnostmi, kter\u00fdmi se zab\u00fdv\u00e1 &#8211; je tak\u00e9 kur\u00e1torkou, p\u0159ekladatelkou a politickou aktivistkou s jasn\u011b vyprofilovan\u00fdm jazykem a nekompromisn\u00edmi pozicemi,<\/em>\u201c shrnuje vyj\u00e1d\u0159en\u00ed poroty <strong>Sl\u00e1va Sobotovi\u010dov\u00e1<\/strong>.<\/p>\n<h3 id=\"doprovodn\u00fd-program-2014\">Doprovodn\u00fd program 2014<\/h3>\n<p>P\u0159i p\u0159\u00edle\u017eitosti druh\u00e9ho ro\u010dn\u00edku Ceny V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky v\u00fdtvarn\u00e9ho um\u011bn\u00ed p\u0159ipravila INI Gallery ve spolupr\u00e1ci s\u00a0MeetFactory doprovodn\u00fd program, jeho\u017e smyslem je zviditelnit obor um\u011bleck\u00e9 kritiky a\u00a0otev\u00edrat d\u00edl\u010d\u00ed t\u00e9mata a\u00a0ot\u00e1zky, kter\u00e9 se vztahuj\u00ed k\u00a0sou\u010dasn\u00fdm form\u00e1m reflexe, dokumentace i\u00a0popularizace v\u00fdtvarn\u00e9ho um\u011bn\u00ed.<\/p>\n<p><strong>18\/9 &#8211; 31\/10\/2014<\/strong> prob\u011bhla v\u00a0INI Gallery videoinstalace jednoho z\u00a0p\u0159edn\u00edch sou\u010dasn\u00fdch \u010desk\u00fdch um\u011blc\u016f Zby\u0148ka Baladr\u00e1na: Adorno a Kovanda o materialismu. Autor ve sv\u00e9m d\u00edle \u010dasto pojedn\u00e1v\u00e1 vztah medializovan\u00e9ho obrazu a\u00a0neline\u00e1rn\u011b pojat\u00e9ho textov\u00e9ho sd\u011blen\u00ed. Pro INI Gallery a Cenu V\u011bry Jirousov\u00e9 p\u0159ipravil nov\u00e9 video balancuj\u00edc\u00ed na hran\u011b manipulace, kdy je skrze fiktivn\u00ed rozhovor Ji\u0159\u00edho Kovandy a\u00a0Theodora Adorna o um\u011bn\u00ed a jeho vn\u00edm\u00e1n\u00ed. Prostor INI Gallery se z\u00e1rove\u0148 slou\u017eil jako d\u011bji\u0161t\u011b workshopu, diskuse o pr\u00e1ci s materi\u00e1ly vztahuj\u00edc\u00edmi se k\u00a0aktu\u00e1ln\u00edmu stavu kritiky i um\u011bn\u00ed.<\/p>\n<p><strong>18\/9\/2014 \u2013 workshop Kde je kritika?<\/strong><br \/>\nModeruj\u00ed: Tereza Jindrov\u00e1 a\u00a0Jen Kratochvil<br \/>\nWorkshop byl ur\u010den zejm\u00e9na student\u016fm teorie a\u00a0d\u011bjin um\u011bn\u00ed, literatury a\u00a0p\u0159\u00edbuzn\u00fdch obor\u016f, b\u011bhem kter\u00e9ho prob\u011bhne kategorizace a\u00a0anal\u00fdza kritik a\u00a0recenz\u00ed vych\u00e1zej\u00edc\u00edch v \u010desk\u00fdch ti\u0161t\u011bn\u00fdch a\u00a0internetov\u00fdch periodik\u00e1ch.<\/p>\n<p><strong>24\/9\/2014 \u2013 diskuse Dokumentace, zpravodajstv\u00ed, kritika, archivace<\/strong> Host\u00e9: Jana Chytilov\u00e1 (ArtMix \u010cT), Janek Rous (Arty\u010dok.tv), Ond\u0159ej Stupal (Artlist)<br \/>\nModeruje: Milena Bartlov\u00e1<br \/>\nKulat\u00fd st\u016fl o\u00a0vztahu kritiky a\u00a0dokumentace, zpravodajstv\u00ed \u010di archivace, moderovan\u00fd kunsthistori\u010dkou Milenou Bartlovou. Diskuse se to\u010dila p\u0159edev\u0161\u00edm problematiku tenk\u00e9 hranice mezi kritikou a dokumentac\u00ed, kter\u00e1 je zejm\u00e9na d\u016fle\u017eit\u00e9 ve vztahu mezi m\u00e9dii vytv\u00e1\u0159ej\u00edc\u00edm aktu\u00e1ln\u00ed obraz a sc\u00e9nou sou\u010dasn\u00e9ho um\u011bn\u00ed, kdy se z\u00e1rove\u0148 mapuj\u00edc\u00ed \u201eobjektivn\u00ed pohled\u201c \u010dasto jedinou reflexi, kter\u00e9 se um\u011blc\u016fm dostane.<\/p>\n<p><strong>2\/10\/2014 diskuse M\u00edsta kritiky<\/strong><br \/>\nHost\u00e9: Pawel Brozynski (PL), nez\u00e1visl\u00fd kritik, Juraj Kov\u00e1\u010dik (SK), fotograf a\u00a0zakladatel online platformy o\u00a0sou\u010dasn\u00e9m um\u011bn\u00ed HENTAK, Marion Ritter (DE), kur\u00e1torka a\u00a0kriti\u010dka, \u0161\u00e9fredaktorka online port\u00e1lu Artblog Cologne, Stach Szablowski (PL), kritik a kur\u00e1tor Centra sou\u010dasn\u00e9ho um\u011bn\u00ed Zamek Ujazdowski<br \/>\nModeruje: Jakub Stejskal (Se\u0161it pro um\u011bn\u00ed, teorii a p\u0159\u00edbuzn\u00e9 z\u00f3ny, Estetika)<br \/>\nZ\u00e1znam diskuse najdete zde: <a class=\"uri\" href=\"http:\/\/artycok.tv\/lang\/cs-cz\/26577\/mista-kritiky-cena-jirousoveplaces-critique-vera-jirousova-award\">http:\/\/artycok.tv\/lang\/cs-cz\/26577\/mista-kritiky-cena-jirousoveplaces-critique-vera-jirousova-award<\/a><\/p>\n<p><strong>9\/10\/2014 Kritick\u00e1 hospoda<\/strong><br \/>\nNeform\u00e1ln\u00ed setk\u00e1n\u00ed a\u00a0hospodsk\u00e1 kritika kritiky v\u00a0hole\u0161ovick\u00e9 kav\u00e1rn\u011b Liber\u00e1l<br \/>\nHost: Iveta Hajd\u00e1kov\u00e1 (antropolo\u017eka)<\/p>\n<h2 id=\"i.-ro\u010dn\u00edk-ceny-v\u011bry-jirousov\u00e9-2013\">I. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2013<\/h2>\n<p>Mezin\u00e1rodn\u00ed centrum sou\u010dasn\u00e9ho um\u011bn\u00ed MeetFactory a INI Gallery ve spolupr\u00e1ci s \u010cesk\u00fdmi centry vyhl\u00e1silo prvn\u00ed ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 v\u00a0lednu 2013. Spolupo\u0159adateli ceny a hlavn\u00edmi medi\u00e1ln\u00edmi partnery jsou \u010dasopis Art+Antiques a port\u00e1l Artalk.cz. C\u00edlem ceny ur\u010den\u00e9 za\u010d\u00ednaj\u00edc\u00edm a etablovan\u00fdm kritik\u016fm v\u00fdtvarn\u00e9ho um\u011bn\u00ed je zviditelnit tento v \u010desk\u00e9m prost\u0159ed\u00ed dosud m\u00e1lo reflektovan\u00fd obor, podpo\u0159it za\u010d\u00ednaj\u00edc\u00ed autory a pomoci jim p\u0159i hled\u00e1n\u00ed prvn\u00edch p\u0159\u00edle\u017eitost\u00ed pro publikaci jejich text\u016f a z\u00e1rove\u0148 pouk\u00e1zat na pr\u00e1ci autor\u016f, kte\u0159\u00ed jsou pro oblast um\u011bleck\u00e9 kritiky dlouhodob\u00fdm p\u0159\u00ednosem.<\/p>\n<p><strong>24\/5\/2013<\/strong> se v MeetFactory uskute\u010dnilo slavnostn\u00ed vyhl\u00e1\u0161en\u00ed prvn\u00edho ro\u010dn\u00edku Ceny V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky v\u00fdtvarn\u00e9ho um\u011bn\u00ed. Odborn\u00e1 porota zasedla ve slo\u017een\u00ed Du\u0161an Zahoransk\u00fd, um\u011blec, Ladislav Kesner ml., teoretik a kur\u00e1tor, Marek Pokorn\u00fd, kritik a kur\u00e1tor, b\u00fdval\u00fd \u0159editel Moravsk\u00e9 galerie v Brn\u011b, Sl\u00e1va Sobotovi\u010dov\u00e1, um\u011blkyn\u011b a Vilma An\u00fd\u017eov\u00e1, gener\u00e1ln\u00ed \u0159editelka \u010cesk\u00fdch center.<\/p>\n<p><strong>Laure\u00e1ty prvn\u00edho ro\u010dn\u00edku sout\u011b\u017ee se stali Tereza Jindrov\u00e1 a Ivan Me\u010dl.<\/strong><\/p>\n<p><strong>Terezu Jindrovou<\/strong> ocenila porota v kategorii za\u010d\u00ednaj\u00edc\u00edch kritik\u016f do 26 let, do kter\u00e9 sv\u00e9 p\u0159\u00edsp\u011bvky p\u0159ihl\u00e1silo 26 autor\u016f, a to p\u0159edev\u0161\u00edm pro jej\u00ed schopnost vybrat si v\u00fdrazn\u00e9 t\u00e9ma, jasn\u00fd kritick\u00fd postoj podlo\u017een\u00fd pevnou argumentac\u00ed a v neposledn\u00ed \u0159ade stylistickou \u00farove\u0148.<\/p>\n<p><strong>Du\u0161an Zahoransk\u00fd<\/strong> ve sv\u00e9m vyj\u00e1d\u0159en\u00ed p\u00ed\u0161e: \u201e<em>Autorka p\u0159edkl\u00e1d\u00e1 text, ve kter\u00e9m p\u0159esn\u011b pojmenov\u00e1v\u00e1 tv\u016fr\u010d\u00ed strategie nep\u0159ehl\u00e9dnuteln\u00e9ho dom\u00e1c\u00edho mlad\u00e9ho autora. Zam\u011b\u0159uje se na konkr\u00e9tn\u00ed v\u00fdstavn\u00ed projekt a na n\u011bm, d\u016fkladnou argumentac\u00ed, nal\u00e9z\u00e1 siln\u00e1 a slab\u00e1 m\u00edsta. Struktura a rytmus textu poskytuje \u010dten\u00e1\u0159i dostate\u010dn\u00fd vhled jak do hodnocen\u00e9 v\u00fdstavy, tak do autorov\u00fdch star\u0161\u00edch d\u011bl. Pou\u017e\u00edv\u00e1 p\u0159esn\u00e9 citace, kter\u00e9 trefn\u011b opisuj\u00ed tv\u016fr\u010d\u00ed metody autora. Kritika v\u00fdstavy je vyv\u00e1\u017een\u00e1 a Tereza Jindrov\u00e1 v\u00a0n\u00ed v\u011bcn\u011b opisuje \u00faskal\u00ed, se kter\u00fdmi se zm\u00edn\u011bn\u00fd projekt pot\u00fdkal. I t\u00edm, \u017ee se srozumiteln\u011b, s\u00a0respektem a p\u0159esto kriticky vyjad\u0159uje k\u00a0tvorb\u011b v\u00fdrazn\u00e9ho um\u011blce, dokazuje svou suver\u00e9nn\u00ed orientaci v\u00a0soudob\u00e9m mlad\u00e9m um\u011bn\u00ed. Stylistick\u00e1 a obsahov\u00e1 \u00farove\u0148 textu sv\u011bd\u010d\u00ed o autor\u010din\u011b nezpochybniteln\u00e9m kritick\u00e9m talentu.<\/em>\u201c<\/p>\n<p>V kategorii etablovan\u00fdch kritik\u016f za dlouhodob\u00fd p\u0159\u00ednos oboru ocenila porota <strong>Ivana Me\u010dla<\/strong> jako\u017eto v\u00fdraznou osobnost, kter\u00e1 dlouhodob\u011b utv\u00e1\u0159\u00ed vlastn\u00ed sm\u011br.<\/p>\n<p>K rozhodnut\u00ed poroty p\u00ed\u0161e <strong>Marek Pokorn\u00fd<\/strong>: \u201e<em>Um\u011bleck\u00e1 kritika je o\u0161idn\u00fd pojem, jeho\u017e obsah a rozsah prov\u011b\u0159uj\u00ed konkr\u00e9tn\u00ed texty konkr\u00e9tn\u00edch lid\u00ed. Jestli\u017ee se porota rozhodla ud\u011blit \u201ecenu za p\u0159\u00ednos\u201c Ivanu Me\u010dlovi, pak pr\u00e1v\u011b proto, \u017ee jeho pozn\u00e1mky na okraj sou\u010dasn\u00e9ho um\u011bn\u00ed, kter\u00e9 maj\u00ed u\u017e od 90. let minul\u00e9ho stolet\u00ed povahu sporadick\u00fdch sarkastick\u00fdch koment\u00e1\u0159\u016f, p\u0159esn\u011b vystihuj\u00ed p\u0159edst\u00edr\u00e1n\u00ed, sm\u011b\u0161nost a banalitu v jedn\u00e1n\u00ed jednotlivc\u016f a instituc\u00ed, o nich\u017e my ostatn\u00ed \u010dasto ml\u010d\u00edme \u2013 z fale\u0161n\u011b pochopen\u00e9ho p\u0159\u00e1telstv\u00ed, lenosti \u010di obav o \u201edobrou pov\u011bst\u201c. Nikoli na posledn\u00edm m\u00edst\u011b jsou pozoruhodn\u00e9 liter\u00e1rn\u00ed kvality Me\u010dlova psan\u00ed, jeho\u017e v\u00fdsti\u017enost a kultivovanost si nepot\u0159ebuje p\u0159isvojovat obvyklou hant\u00fdrku historik\u016f um\u011bn\u00ed ani term\u00edny z pr\u00e1v\u011b obl\u00edben\u00e9ho \u201ediskursivn\u00edho pole\u201c. V\u00fdtvarn\u00e1 kritika nab\u00fdv\u00e1 pr\u00e1v\u011b v p\u0159\u00edsp\u011bvc\u00edch Ivana Me\u010dla sv\u016fj v\u00fdm\u011br jako d\u016fv\u011bryhodn\u00fd zp\u016fsob my\u0161len\u00ed o um\u011bn\u00ed, spole\u010dnosti a sv\u011bt\u011b.<\/em>\u201c<\/p>\n<h3 id=\"doprovodn\u00fd-program-2013\">Doprovodn\u00fd program 2013<\/h3>\n<p>V INI Gallery prob\u011bhl doprovodn\u00fd program. Krom\u011b nev\u0161edn\u00edho pohledu do do\u010dasn\u011b zp\u0159\u00edstupn\u011bn\u00e9ho archivu V\u011bry Jirousov\u00e9, p\u0159edstaven\u00e9ho v r\u00e1mci \u201eStudia VJ\u201c spole\u010dn\u011b s instalac\u00ed Roberta \u0160alandy, se zde konaj\u00ed dv\u011b neform\u00e1ln\u00ed diskuse o um\u011bleck\u00e9 kritice z pohledu samotn\u00fdch kritik\u016f a um\u011blc\u016f.<\/p>\n<p><strong>25\/4\/2013 Setk\u00e1n\u00ed I. \u2013 Co je tu, co tu nen\u00ed<\/strong><br \/>\nTobi\u00e1\u0161 Jirous \u010dte z d\u00edla V\u011bry Jirousov\u00e9<\/p>\n<p><strong>13\/5\/2013 Setk\u00e1n\u00ed II. \u2013 Um\u011bleck\u00e1 kritika o\u010dima kritik\u016f<\/strong><br \/>\nNeform\u00e1ln\u00ed diskusi moderuje: Marek Pokorn\u00fd, host\u00e9: Jan Vitvar, Jan Sk\u0159iv\u00e1nek, Petr Fischer, Tereza Stejskalov\u00e1<\/p>\n<p><strong>20\/5\/2013 Setk\u00e1n\u00ed III. \u2013 Um\u011bleck\u00e1 kritika o\u010dima um\u011blc\u016f<\/strong><br \/>\nNeform\u00e1ln\u00ed diskusi moderuje: Silvie \u0160eborov\u00e1, host\u00e9: David Ko\u0159\u00ednek, Ji\u0159\u00ed Kovanda, Vladim\u00edr Houdek, Pavel Sterec<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VIII. ro\u010dn\u00edk Ceny V\u011bry Jirousov\u00e9 2023 Cena V\u011bry Jirousov\u00e9 pro za\u010d\u00ednaj\u00edc\u00ed a etablovan\u00e9 kritiky uzav\u00edr\u00e1 osm\u00fd ro\u010dn\u00edk. Hlavn\u00edm c\u00edlem Ceny V\u011bry Jirousov\u00e9 je zviditelnit obor um\u011bleck\u00e9 kritiky a diskutovat nad jeho podobou, vedle oce\u0148ov\u00e1n\u00ed pr\u00e1ce za\u010d\u00ednaj\u00edc\u00edch i etablovan\u00fdch kritik\u016f, je\u017e bude nad\u00e1le pokra\u010dovat v dvoulet\u00e9m rytmu, a pr\u016fb\u011b\u017en\u011b organizovat dal\u0161\u00ed akce, d\u00edky kter\u00fdm se o kritice v\u00edce mluv\u00ed a uva\u017euje. Na\u0161\u00edm c\u00edlem je rovn\u011b\u017e nav\u00e1zat t\u011bsn\u011bj\u0161\u00ed spolupr\u00e1ci se \u0161\u00e9fredaktory \u010dasopis\u016f a internetov\u00fdch platforem v\u011bnovan\u00fdch um\u011bn\u00ed i se z\u00e1stupci kateder a obor\u016f zab\u00fdvaj\u00edc\u00edch se um\u011bn\u00edm, jeho teori\u00ed a kritikou. Do sout\u011b\u017ee se tak dostanou studenti a za\u010d\u00ednaj\u00edc\u00ed auto\u0159i na z\u00e1klad\u011b soustavn\u00e9 <a href=\"https:\/\/www.cenavj.cz\/?page_id=20\" class=\"more-link\" title=\"Read more\">\u2192<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20"}],"version-history":[{"count":11,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions\/408"}],"wp:attachment":[{"href":"https:\/\/www.cenavj.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}